{"id":13067,"date":"2024-01-11T14:04:09","date_gmt":"2024-01-11T13:04:09","guid":{"rendered":"https:\/\/lentrouvert.com\/mizu\/"},"modified":"2026-03-27T12:28:53","modified_gmt":"2026-03-27T11:28:53","slug":"mizu","status":"publish","type":"page","link":"https:\/\/lentrouvert.com\/en\/mizu\/","title":{"rendered":"Mizu"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|tablet” admin_label=”section” _builder_version=”4.27.5″ _module_preset=”default” background_color=”#003E3F” background_image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/12\/Benjamin-Le-Bellec-MIZU.jpg” parallax=”on” parallax_method=”off” custom_margin=”0px||||false|false” custom_padding=”35vh||||false|false” custom_padding_tablet=”35vh|||0vw|false|false” custom_padding_phone=”0vh||||false|false” background_color_tablet=”#003E3F” background_color_phone=”#003E3F” background_last_edited=”on|desktop” background_enable_color_tablet=”on” background_enable_color_phone=”on” background_image_tablet=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/12\/Benjamin-Le-Bellec-MIZU.jpg” background_enable_image_tablet=”on” background_enable_image_phone=”off” parallax_tablet=”off” parallax_phone=”off” background_size_tablet=”custom” background_size_phone=”custom” background_image_width_tablet=”130vw” background_image_width_phone=”100%” background_position_tablet=”top_center” background_position_phone=”top_left” background_horizontal_offset_phone=”0%” background_vertical_offset_phone=”0vh” locked=”off” global_colors_info=”{}” alt_tablet=”Lands” title_text_tablet=”Lands”][et_pb_row disabled_on=”off|on|on” _builder_version=”4.27.5″ _module_preset=”default” width=”100%” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/12\/Benjamin-Le-Bellec-MIZU-1024×683.jpg” alt=”Benjamin Le Bellec – MIZU” title_text=”Benjamin Le Bellec – MIZU” align=”center” force_fullwidth=”on” disabled_on=”off|on|on” _builder_version=”4.27.5″ _module_preset=”default” custom_margin=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” custom_padding_last_edited=”off|desktop” admin_label=”description” _builder_version=”4.27.5″ _module_preset=”default” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”60%” width_tablet=”90%” width_phone=”85vw” width_last_edited=”on|phone” custom_margin=”||0px|10vw|false|false” custom_margin_tablet=”100px|||50px|false|false” custom_margin_phone=”20px|||25px|false|false” custom_margin_last_edited=”off|desktop” custom_padding=”0px||0px||false|false” animation_direction=”bottom” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”on|tablet” locked=”off” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” border_radii=”off||10px||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_icon font_icon=”"||divi||400″ icon_color=”#FFFFFF” icon_width=”56px” url=”#content” align=”left” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_icon][et_pb_text content_tablet=”<\/p>\n

Les Vagues<\/h1>\n

Show for ice choir<\/h3>\n

” content_phone=”<\/p>\n

Les Vagues<\/h1>\n

Show for ice choir<\/h3>\n

” content_last_edited=”off|phone” _builder_version=”4.27.4″ _module_preset=”5756a964-f2d7-4363-b053-f23b001d0719″ header_font=”Work Sans|100||on|||||” header_text_color=”#ffffff” header_font_size=”170px” header_letter_spacing=”-2px” header_line_height=”0.8em” header_2_font=”Work Sans|100||on|||||” header_2_text_align=”left” header_2_text_color=”#FFFFFF” header_2_font_size=”10vw” header_2_letter_spacing=”-2px” header_2_line_height=”0.9em” header_3_font=”Mulish|300|||||||” header_3_text_color=”#FFFFFF” header_3_font_size=”2em” header_4_font=”||||||||” header_6_font=”|500|||||||” background_color=”RGBA(255,255,255,0)” custom_margin=”||10px||false|false” header_font_phone=”Muli|200||on|||||” header_font_last_edited=”off|desktop” header_text_color_phone=”#666666″ header_text_color_last_edited=”off|phone” header_font_size_tablet=”120px” header_font_size_phone=”85px” header_font_size_last_edited=”on|phone” header_2_font_tablet=”” header_2_font_phone=”” header_2_font_last_edited=”on|phone” header_2_text_color_tablet=”” header_2_text_color_phone=”#333333″ header_2_text_color_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

Mizu<\/h1>\n

Co-creation cie Furinka\u00ef – Satchie Noro & Th\u00e9\u00e2tre de l’Entrouvert – \u00c9lise Vigneron<\/h3>\n

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CREATION IN OCTOBER 2023<\/h4>\n

A metaphor for time, the wave is both the image of permanent flow and the symbol of impermanence.<\/h2>\n
\n
\n
In The Waves, Virginia Woolf sketches the individual journeys of her characters at each stage of their lives, layered over the atmospheric variations of a seascape described over the course of a single day.
By materializing these identities as figures made of ice\u2014time-beings that merge within the wave\u2019s flow\u2014I explore the phenomenon of metamorphosis on individual, collective, and cosmic scales.<\/div>\n<\/div>\n<\/div>\n

” content_phone=”<\/p>\n

CREATION IN OCTOBER 2023<\/h4>\n

A metaphor for time, the wave is both the image of permanent flow and the symbol of impermanence.<\/h2>\n
\n
\n
In The Waves, Virginia Woolf sketches the individual journeys of her characters at each stage of their lives, layered over the atmospheric variations of a seascape described over the course of a single day.
By materializing these identities as figures made of ice\u2014time-beings that merge within the wave\u2019s flow\u2014I explore the phenomenon of metamorphosis on individual, collective, and cosmic scales.<\/div>\n<\/div>\n<\/div>\n

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CO-CREATION CIE FURINKAI – SATCHIE NORO & TH\u00c9\u00c2TRE DE L’ENTROUVERT – ELISE VIGNERON – 2025<\/h4>\n

FOR ALL AUDIENCES AGED 4 AND UP
DURATION: 40 MINUTES<\/h5>\n

MIZU, meaning \u201cwater\u201d in Japanese (\u6c34), brings together the worlds of choreographer and circus artist Satchie Noro and puppeteer and director \u00c9lise Vigneron.<\/h3>\n

It is a landscape piece about water, a pas de trois performed by a dancer, an ice puppet, and its puppeteer, a story of suspension, transformation, impermanence, and reflection. <\/a><\/p>\n

<\/strong><\/h5>\n
Aerowaves Twenty26 Artist <\/strong>
Satchie Noro \u2013 Cie Furinka\u00ef and \u00c9lise Vigneron \u2013 Th\u00e9\u00e2tre de l\u2019Entrouvert were selected by the European platform Aerowaves for MIZU.<\/h5>\n

[\/et_pb_text][et_pb_toggle title=”Cast” open_toggle_text_color=”#333333″ open_toggle_background_color=”rgba(255,255,255,0.9)” closed_toggle_text_color=”#333333″ closed_toggle_background_color=”rgba(255,255,255,0.89)” icon_color=”#333333″ content_last_edited=”off|tablet” admin_label=”distribution” _builder_version=”4.27.5″ _module_preset=”249ab4f8-0492-4d3f-a90d-911114f009f7″ title_text_color=”#333333″ title_level=”h3″ body_font_size=”14px” body_line_height=”1.6em” width_last_edited=”off|phone” custom_padding=”3px|15px|3px|17px|false|false” custom_padding_tablet=”” custom_padding_phone=”|30px||15px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Artistic direction \u2013 stage direction Satchie Noro<\/strong> and \u00c9lise Vigneron<\/strong>
Puppeteer Sarah Lascar<\/strong>
Choreography and dance Satchie Noro<\/strong>
Ice puppet design \u00c9lise Vigneron<\/strong>
Stage design and construction \u00c9ric No\u00ebl<\/strong> and Silvain Ohl<\/strong>
Puppet construction Vincent Debuire<\/strong> assisted by Silvain Ohl<\/strong> and Th\u00e9o N\u00e9restan<\/strong>
Textile design Aurore Thibout<\/strong>
Original music composition Carlos Canales<\/strong>
Sound system design Hans Kunze<\/strong>
Text excerpt Olivier Remaud<\/strong>, Penser comme un iceberg<\/em>, Babel poche, 2023, p.62-63
Voiceover Millaray Lobos<\/strong>
Sound engineer Karine Dumont<\/strong> alternating with Hans Kunze<\/strong>
Technical manager \u00c9ric No\u00ebl<\/strong>, Robin No\u00ebl<\/strong> or Vincent Debuire<\/strong>
Assistant director Zo\u00e9 Lizot<\/strong>
Administration & development Cie Furinka\u00ef<\/strong> & Lucie Leclaire<\/strong>
Production : Lola Goret<\/strong> et \u00c9milie Boutet<\/strong>
Diffusion : \u00c9milie Boutet<\/strong><\/p>\n

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Production<\/strong>
Compagnie Furinka\u00ef (Satchie Noro) et le Th\u00e9\u00e2tre de l’Entrouvert (\u00c9lise Vigneron). <\/span> <\/p>\n

Furinka\u00ef is supported by DRAC \u00cele de France. Th\u00e9\u00e2tre de l\u2019Entrouvert is supported by DRAC Provence-Alpes-C\u00f4te d\u2019Azur, R\u00e9gion Sud, Vaucluse Departmental Council, and the city of Apt. <\/span><\/p>\n

Coproduction
<\/strong>Th\u00e9\u00e2tre Le Vellein, sc\u00e8nes de la CAPI – Villefontaine (38), Th\u00e9\u00e2tre de Ch\u00e2tillon (92), Les Noctambules – Nanterre (92), Houdremont Centre culturel – La Courneuve (93), Th\u00e9\u00e2tre du Fil de l\u2019Eau – Pantin (93), Th\u00e9\u00e2tre de la Joliette – Marseille (13), La Lisi\u00e8re – lieu de cr\u00e9ation – Bruy\u00e8res-le-Ch\u00e2tel (91), Art\u2019R – Paris (75), Sud-Est Th\u00e9\u00e2tre – Villeneuve-Saint-Georges (94), Les Ateliers Frappaz – Centre National des Arts de la Rue et de l\u2019Espace Public – Villeurbanne (69), Points communs – Nouvelle Sc\u00e8ne nationale de Cergy-Pontoise \/ Val d’Oise (95)<\/p>\n

Supports :
<\/strong>DRAC Provence-Alpes-C\u00f4te d\u2019Azur, DRAC \u00cele de France, National Aid for Street and Circus Arts Creation, R\u00e9gion Sud, Vaucluse Departmental Council, Seine-Saint-Denis Departmental Council, City of Paris, V\u00e9lo Th\u00e9\u00e2tre \u2013 Apt (84), Citron Jaune \u2013 CNAREP \u2013 Port-Saint-Louis-du-Rh\u00f4ne (13), Le Bercail \u2013 Dunkirk (59), Groupe F \u2013 Arles (13).<\/p>\n

Satchie Noro – Company Furinka\u00ef and \u00c9lise Vigneron – Th\u00e9\u00e2tre de l’Entrouvert have been selected by the European platform Aerowaves for MIZU. Aerowaves is co-funded by the Creative Europe’s Platform Programme for the promotion of emerging artists of European Union Commission. <\/span><\/p>\n

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Artistic file MIZU<\/a><\/p>\n

Technical sheet<\/a><\/p>\n

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\u201cMizu stages, on a body of water, the ephemeral existence of an ice puppet. During the brief time it melts, this wordless poem delicately conveys the fragility of our lives and the necessity of connecting them.<\/em>
By Anais Heluin<\/p>\n

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\u00ab The audience holds its breath. Life and death play out over these 40 minutes in a philosophical and poetic performance, balancing gentleness and a final surge of strength. In this open-air theater, everything is suspended; the slightest thing can shatter the tranquility of the place and the moment. With demanding technique and a keen sense of pause, the three artists create in Mizu a powerful metaphor for the unpredictability and fleetingness of life.\u00bb<\/p>\n

By Luna Beaudouin-Goujon le 29\/09\/2025<\/p>\n

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\n\t\t\n\t\n\t\t14 events found.\t<\/span>\n\t
\n\t\t\n\t\n<\/svg>\n\t\t\n\t\n<\/svg>\n\t\t\n\t\n<\/svg>\n\t<\/div>\n<\/div>\n\n\t\t