{"id":6153,"date":"2020-02-13T12:29:39","date_gmt":"2020-02-13T11:29:39","guid":{"rendered":"http:\/\/test.lentrouvert.com\/impermanence\/"},"modified":"2026-01-06T10:14:33","modified_gmt":"2026-01-06T09:14:33","slug":"impermanence","status":"publish","type":"page","link":"https:\/\/lentrouvert.com\/en\/impermanence\/","title":{"rendered":"IMPERMANENCE"},"content":{"rendered":"

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Impermanence<\/h1>\n

Picture theater,
circus and animated objects<\/h2>\n

” content_phone=”<\/p>\n

Impermanence<\/h1>\n

Picture theater,
circus and animated objects<\/h2>\n

” content_last_edited=”on|phone” _builder_version=”4.27.5″ text_font=”Work Sans||||||||” text_text_color=”#FFFFFF” header_font=”Work Sans|200||on|||||” header_text_color=”#FFFFFF” header_font_size=”6vw” header_letter_spacing=”-2px” header_2_font=”Work Sans|300|||||||” header_2_text_color=”#FFFFFF” header_2_font_size=”2em” header_2_line_height=”1.1em” header_3_font=”||||||||” header_4_font=”||||||||” header_6_font=”|500|||||||” custom_margin=”||||false|false” hover_enabled=”0″ header_font_size_tablet=”70px” header_font_size_phone=”40px” header_font_size_last_edited=”on|phone” header_2_text_color_tablet=”#FFFFFF” header_2_text_color_phone=”#FFFFFF” header_2_text_color_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Impermanence<\/h1>\n

Picture theater,
circus and animated objects<\/h2>\n

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\n

creation 2013
This show is not available anymore for diffusion<\/h4>\n<\/div>\n

TRANSLATED INTO SPANISH & ENGLISH
For all ages over 10
Duration 55 min<\/h5>\n

A cut image theater
from the material,
closer to the elements.<\/span><\/h3>\n

Every living creature, every thing, matter or phenomenon, goes through its existence in perpetual motion between appearance, disappearance and transformation. What if we could comprehend reality in this unstable equilibrium ? Let us cast our eyes on the shadow instead of the object itself, on emptiness instead of fullness, on the infinite space instead of the finite space, so that presence would be combined to absence, life to death.<\/p>\n

In Impermanence<\/em> we will try to position ourselves in this in-between space, as a figure progressing on a tightrope, as ice melting into water, then into vapour, along the fragile border between dreams and reality, horizontality and verticality, visible and invisible, in perpetual unstable equilibrium.<\/p>\n

\n

\u00abWhom do we speak to
when we keep quiet ?\u00bb<\/p>\n

Tarjei Vesaas (1897-1970).<\/p>\n<\/blockquote>\n

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Conception and scenography \u00c9lise Vigneron<\/strong>
Text Tarjei Vesaas<\/strong>
With Eleonora Gimenez<\/strong> and \u00c9lise Vigneron<\/strong>
Sound and lighting management and scenery construction Cyril Monteil<\/strong>, Stage manager and scenery construction Messaoud Ferhat<\/strong>
Installation et cr\u00e9ation lumi\u00e8re Sylvie M\u00e9lis<\/strong>
Dramaturgy St\u00e9phanie Farison<\/strong>
Collaboration artistique Marion Coll\u00e9
<\/strong>Advice on working the puppets Aur\u00e9lie Morin<\/strong>
Construction of objects H\u00e9l\u00e8ne Barreau<\/strong> et l\u2019Atelier Mazette !
<\/strong>Costume Louise Hochet<\/strong>, Mathilde Brette<\/strong>
Photographie Eric Bourret<\/strong> Vid\u00e9o Vasil Tasevski<\/strong>
Design of the trays Beno\u00eet Fincker<\/strong>, Patrick Vindimian<\/strong>.
Artistic accompaniment Eloi Recoing<\/strong>
Text translation from French to English Genevieve Knibiehler <\/strong><\/strong><\/p>\n

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Production:<\/strong> Th\u00e9\u00e2tre de l’Entrouvert
Coproductions:<\/strong> Espace J\u00e9liote in Oloron St Marie (64) \u2013 Theatre d’Arles (13) \u2013 La ville de Mende (48) \u2013 Velo Theater in Apt (84) \u2013 Sc\u00e8ne nationale de Cavaillon (84).
With the support from:<\/strong> The city of Apt, the SPEDIDAM, the general council of Vaucluse, the DRAC Provence Alpes C\u00f4te d\u2019Azur, the R\u00e9gion Provence Alpes C\u00f4te d\u2019Azur.
The creation of IMPERMANENCE received aid for the creation of the City of Apt, the General Council of Vaucluse, DRAC and the Provence Alpes C\u00f4te d’Azur region, as well as SPEDIDAM. Diffusion is supported by the ONDA (National Artistic Diffusion Office). The tour of Argentina and Uruguay was supported by the French Institute, the French Embassy in Argentina, the Alliance Fran\u00e7aise in Buenos Aires and the French Embassy in Uruguay.<\/span><\/p>\n

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