{"id":6157,"date":"2020-02-13T12:39:58","date_gmt":"2020-02-13T11:39:58","guid":{"rendered":"http:\/\/test.lentrouvert.com\/lenfant\/"},"modified":"2026-01-06T15:29:26","modified_gmt":"2026-01-06T14:29:26","slug":"lenfant","status":"publish","type":"page","link":"https:\/\/lentrouvert.com\/en\/lenfant\/","title":{"rendered":"L’ENFANT"},"content":{"rendered":"

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L'enfant<\/h1>\n

Animated Materials,
immersive form<\/h2>\n

” content_phone=”<\/p>\n

L'enfant<\/h1>\n

Animated Materials,
immersive form<\/h2>\n

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L’enfant<\/h1>\n

Immersive performance<\/h2>\n

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Creation 2019<\/h4>\n

<\/em>Translated into English
All audiences aged 14 and up
Duration: 50 minutes<\/h5>\n

Enfant, etymologically “Infans”: “he who does not speak”, lives without distinction the real and the imaginary, life and death.<\/h3>\n

L’enfant<\/em>, is an invitation to experience from the inside the play The Death of Tintagiles by Maurice Maeterlinck through an immersive form.
Labyrinthine spaces, ephemeral scenography, animated figures, and sound vibrations are all elements that plunge us into a world in constant emergence, reflecting the inner reality of the character Ygraine, whose initiatory journey we follow.
The unexpected return of her young brother Tintagiles to the devastated island arouses both joy and anxiety in her. Responding to the threat of an invisible soul-devourer queen, Ygraine engages in a rebellion. Overthrowing the established order, breaking down borders, she finally penetrates a world that the living cannot enter, eager to catch a glimpse of the infinite realm of shadows.<\/p>\n

\n

Ygraine is the only one who can penetrate where the living do not penetrate, to pass the forbidden line, beyond the last step. She alone is able to communicate with the child, who is ready to be absorbed by the destructive force of darkness, yet also ready\u2014so small\u2014to pass through the widened fissure and be reborn after this passage into the realm of shadows.
Claude Re\u0301gy<\/p>\n<\/blockquote>\n

<\/blockquote>\n

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Text La Mort de Tintagiles<\/em> by Maurice Maeterlinck<\/strong>
Set design and direction : \u00c9lise Vigneron<\/strong>
Actress : St\u00e9phanie Farison<\/strong>
Puppeteer : Sarah Lascar<\/strong> alternating with C\u00e9cile Doutey<\/strong>
Puppet manipulation : \u00c9lise Vigneron<\/strong> alternating with Alice Faravel<\/strong>
Sound and lighting operator : Aur\u00e9lien Beylier<\/strong>
Dramaturgy : Manon Worms<\/strong>
Actor coaching : Argyro Chioti<\/strong>
Outside eye and manipulation setup : H\u00e9l\u00e8ne Barreau<\/strong>
Lighting design : Beno\u00eet Fincker<\/strong> and Sarah Marcotte<\/strong>
Stage machinery : Beno\u00eet Fincker<\/strong>
Sound design : Pascal Charrier<\/strong>, Julien Tamisier<\/strong> and G\u00e9raldine Foucault<\/strong>
Puppet construction and visual arts collaboration : Arnaud Louski-Pane<\/strong>
Scenography construction : Philippe Laliard<\/strong> et Beno\u00eet Fincker<\/strong>
Support for the promenade performance device : Karin Holmstr\u00f6m<\/strong>
Costume design : Danielle Merope-Gardenier<\/strong>
Acknowledgements : Maya-Lune Thieblemont<\/strong>, Jean-Louis Larcebeau<\/strong>, G\u00e9rard Vigneron<\/strong>, Martine Lascar<\/strong>, Juliette Berroterran<\/strong><\/p>\n

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Production :<\/strong> Th\u00e9\u00e2tre de l’Entrouvert
Coproductions :<\/strong> Les Th\u00e9\u00e2tres \u00e0 Aix-en-Provence et Marseille (13) \u2014 Le TJP, CDN Strasbourg-Grand Est (67) \u2014 L\u2019Espace J\u00e9liote, Sc\u00e8ne conventionn\u00e9e pour les Arts de la Marionnette \u00e0 Oloron Sainte-Marie (64) \u2014 Le P\u00f4le Arts de la Sc\u00e8ne \u00e0 Marseille (13) \u2014 La Garance, Sc\u00e8ne nationale de Cavaillon (84) \u2014 Th\u00e9\u00e2tre – Arles (13), Sc\u00e8ne conventionn\u00e9e d\u2019Int\u00e9r\u00eat National – Art et Cr\u00e9ation\/Nouvelles \u00c9critures \u2014 Le V\u00e9lo-Th\u00e9\u00e2tre, Sc\u00e8ne conventionn\u00e9e Th\u00e9\u00e2tre d’objets \u00e0 Apt (84).
With the support of<\/strong> la DRAC et de la R\u00e9gion Sud, du Conseil d\u00e9partemental du Vaucluse, de la Ville d’Apt, de la SPEDIDAM et de l’ADAMI.<\/p>\n

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Press review L’ENFANT<\/a><\/p>\n

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Artistic File L’ENFANT<\/a><\/p>\n

Educationnal file L’ENFANT<\/a><\/p>\n

Technical sheet L’ENFANT<\/a><\/p>\n

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\u00ab L\u2019Enfant faithful to the Symbolist tradition, offers us an experience that is more sensory than describable: the story of a struggle and an attempt at escape, conveyed through striking scenography that envelops the audience within it. This theatre, whose language can at times be hieroglyphic, produces powerful images in which mystery fully has its place. A mystery that is precisely rich in meaning, whose form perhaps comes as close as possible to what one might call the diffuse fabric of sensations\u2014so difficult to name, yet sometimes better understood through vision.\u00bb<\/em>
By Noe\u0301mie Regnaut<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”Toute la culture” url_new_window=”on” image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/toute-la-culture-logo-copie-2.png” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.27.5″ _module_preset=”default” background_color=”rgba(255,255,255,0.82)” background_enable_color=”on” text_orientation=”left” background_layout=”light” hover_enabled=”0″ custom_css_slide_image=”width:30%;” global_colors_info=”{}” sticky_transition=”on” locked=”off” sticky_enabled=”0″]<\/p>\n

Set to a techno base by Tom Flynn, the duo manipulate one another. Anne holds inverted hip-hop postures and \u00c9lise follows in her footsteps. That is truly it: following in each other\u2019s footsteps. One is the engine of the other. They must struggle against the elements. The rhythm is wild in this very contemporary questioning of balance And\u2014though this must remain secret\u2014the ending is a little gem!<\/em>
By Am\u00e9lie Blaustein Niddam<\/p>\n

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