{"id":6184,"date":"2020-02-13T13:51:31","date_gmt":"2020-02-13T12:51:31","guid":{"rendered":"http:\/\/test.lentrouvert.com\/lequipe\/"},"modified":"2025-10-14T10:13:31","modified_gmt":"2025-10-14T08:13:31","slug":"lequipe","status":"publish","type":"page","link":"https:\/\/lentrouvert.com\/en\/lequipe\/","title":{"rendered":"Artistic team"},"content":{"rendered":"

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artistic team<\/h1>\n

Each artistic proposal is an opportunity for new collaborations with other artists (musicians, circus artists, dancers, visual artists, authors, playwrights, lighting designers) and other disciplines (scientific researchers, philosophers, technicians, etc.). Over the meetings, a hard core is formed.<\/span><\/h2>\n

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artistic team<\/h1>\n

Each artistic proposal is an opportunity for new collaborations with other artists (musicians, circus artists, dancers, visual artists, authors, playwrights, lighting designers) and other disciplines (scientific researchers, philosophers, technicians, etc.). Over the meetings, a hard core is formed.<\/span><\/h2>\n

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artistic team<\/h1>\n

Each artistic proposal is an opportunity for new collaborations with other artists (musicians, circus artists, dancers, visual artists, authors, playwrights, lighting designers) and other disciplines (scientific researchers, philosophers, technicians, etc.). Over the meetings, a hard core is formed.<\/span><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”0px|||||” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Corentin Abeille” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.6em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n

Corentin Abeille<\/h2>\n

Stage and Sound Manager \u2013 ANYWHERE<\/em>
Sound Manager \u2013 LANDS, Habiter le monde<\/em> \/ TRACES<\/p>\n

[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n

\"corentin<\/p>\n

In 2008, Corentin Abeille started his studies at the Conservatoire d\u2019Art Dramatique in Marseille, where he discovered plays and directing. His practice of directing led him to get interest into technical questions, specially light and sound. In 2010, Corentin became a general manager from an association based in Marseille \u00ab\u00a0Le train en marche\u00a0\u00bb. He got taught on sound system, live but also in studio. He incorporated then, the Institut Musical de Formation Professionnelle in Salon de Provence in order to round off the theoretical part of this particular field. Within those 2 years of study, he took part of many tours from Jazz band and latin music band. Some could still cross him on the road along with band or theater companies (C. Du Dromolo, Rodeo Spaghetti, Th\u00e9\u00e2tre de l\u2019Entrouvert, \u2026). In 2013, he is hired by the Th\u00e9\u00e2tre de la Mer where he ensures a periodical work as technician. Also, working as technician during festivals in Region (Lez\u2019arts au soleil, Tendance Clown, F\u00eates v\u00e9nitiennes de Martigues\u2026).<\/p>\n

[\/et_pb_toggle][et_pb_text admin_label=”H\u00e9l\u00e8ne Barreau” _builder_version=”4.16″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n

H\u00e9l\u00e8ne Barreau<\/h2>\n

External advices L’ENFANT<\/a>
<\/em>Puppet construction, <\/em>pupetteer and co-directing ANYWHERE<\/a>
<\/em>Manipulated object construction IMPERMANENCE<\/a>
Intern in puppet construction TRAVERSEES<\/a>\u00a0 <\/em><\/p>\n

[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n

\"Helene<\/p>\n

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Following a high school diploma, option applied arts, H\u00e9l\u00e8ne Barreau studied at the University of Aix en Provence in Performing Arts (Bachelor level) from 2007 to 2010. In 2009, as part of her studies she collaborated for the first time with \u00c9lise Vigneron on the show Travers\u00e9es. From 2010 to 2011, she worked with the Th\u00e9\u00e2tre de Nuit company as a puppeteer in the show La loba. She joined the ninth class of the \u00c9cole Nationale sup\u00e9rieure des arts de la marionnette in Charleville-M\u00e9zi\u00e8res and graduated in 2014. During the summer of 2013, her collaboration with \u00c9lise Vigneron continued on the show Impermanence for which she built the objects manipulated. She is a performer and puppeteer in La spectacle d’\u00e9t\u00e9, directed by Sylvain Maurice and produced by CDN de Sartrouville.<\/span><\/p>\n<\/div>\n

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[\/et_pb_toggle][et_pb_text admin_label=”Aur\u00e9lien Beylier” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Aur\u00e9lien Beylier<\/h2>\n
Sound and light manager\u00a0L’ENFANT<\/a>
Sound and light manager\u00a0TRAVERSEES<\/a>
Sound Design and Technical Manager (Sound & Light) GLACE<\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
\"\"<\/a><\/p>\n
In progress\u2026<\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”Sarah Lascar” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Sarah Lascar<\/h2>\n
Puppeteer L’ENFANT<\/a>
<\/em>Puppeteer ANYWHERE<\/a>
Outside Eye LES VAGUES<\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” min_height=”13px” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
\"sarah-lascar-photo\"<\/p>\n
After a theater diploma and a DEUG in Performing Arts, Sarah Lascar trained for two years at the Samovar school in Bagnolet. Then, she joined the seventh class of ESNAM (National School of Puppetry Arts) from which she graduated in 2008. When she left school, she set up a company, The Theater Elaborates and creates three shows which she ensures the staging: Shhh\u2026, Wanted Calamity Jane and, Fleuve. Today Sarah returns to the set, as an actress and puppeteer. She works with the Royal de Luxe and its Giants, V.O Compagnie (L’Homme \u00e0 l’Envers), the Th\u00e9\u00e2tre de l’Entrouvert (Anywhere, L\u2019Enfant) and the company Art Zygote (L\u2019Assassin sans unscrupule).<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”Aur\u00e9lien Beylier” _builder_version=”4.16″ text_font=”|300|||||||” text_line_height=”1em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
C\u00e9cile Doutey<\/h2>\n
Puppeteer L’ENFANT<\/a><\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.27.4″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
\"cecile-doutey-photo\"
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In addition to his studies in Performing Arts at the University of Paris III Sorbonne Nouvelle, C\u00e9cile trained in acting and setting up scenery with the Troupe de l’Ep\u00e9e de bois at the Cartoucherie de Vincennes in 2001 to 2004. She then trained in the arts of puppetry at the Th\u00e9\u00e2tre aux Mains Nues in Paris and then at ESNAM (National Superior School of Puppetry Arts in Charleville-M\u00e9zi\u00e8res) for three years. She has since worked with several companies, including the Elaborate Theater, the Night Theater, the director Alain Gautr\u00e9, the Tas de Sable – Ches Panses Verte company, the Royal de Luxe company and the Entre Eux Deux Rives company. Since 2014, she has been collaborating with the company Th\u00e9\u00e2tre pour Deux Mains with which she notably creates her Transit show.<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”G\u00e9raldine Foucault” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
G\u00e9raldine Foucault<\/h2>\n
Sound Design L\u2019ENFANT
Sound Design LANDS, Habiter le monde
Sound Design LES VAGUES<\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” _builder_version=”4.16″ body_line_height=”1.6em” min_height=”10px” custom_padding=”0px|0px|20px|0px|false|false” locked=”off” global_colors_info=”{}”]<\/p>\n
\"Geraldine<\/p>\n
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She finished her training at TNS in 2007. She continues a faithful collaboration with Alain Mah\u00e9, composer and musician, in the shows of Fran\u00e7ois Verret Sans Retour, Pierre Meunier From the bottom of the gorges, Sexamor, Ko Muroboshi Krypt, Daniel Jeanneteau Les Aveugles in which she participates in the development of the show. She takes part alone in the sound creation work in dance for Fran\u00e7ois Verret Do you Remember, Cabaret, in the theater with Guillaume Vincent La nuit tomb\u2026, Le petit Claus et le grand Claus, Pauline Ringeade Le Schm\u00fcrz or Les B\u00e2tisseurs d’Empire, Assoiff\u00e9s , Mathieu Roy Dramas de Princesses, Amour Conjugal. In November 2014, she presented a choreographic and sound piece Reprise, written and interpreted in collaboration with Yasmine Youcef. In addition, she works as a stage manager on national and international tours of the shows she creates or follows, but also as a stage manager at the Festival In d’Avignon since 2007. She trained at IRCAM in 2009, and comes back with Nightfall … and The Blind. She also follows a Belgian musical project KO\u2019N\u2019RV where she accompanies the musicians live. At the start of 2011, she created, as a collective, a company based in Strasbourg, L\u2019Imaginarium.<\/span><\/p>\n
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[\/et_pb_toggle][et_pb_text admin_label=”G\u00e9raldine Foucault” _builder_version=”4.27.2″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Loic Carcass\u00e8s<\/h2>\n
Actor and puppeteer LES VAGUES<\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” _builder_version=”4.27.4″ body_line_height=”1.6em” min_height=”10px” custom_padding=”0px|0px|20px|0px|false|false” locked=”off” global_colors_info=”{}”]<\/p>\n
\"\"<\/a><\/p>\n
After spending two years at the Conservatory of the 5th arrondissement of Paris under the guidance of St\u00e9phanie Farison and Christophe Giordano, Lo\u00efc Carcass\u00e8s joined ESCA in Asni\u00e8res-sur-Seine and graduated with a DNSPC in 2019.<\/p>\n
During his training, he participated in several projects, including Wareware no Moromoro<\/em> by Hideto Iwai, performed at T2G in Gennevilliers; Moi de vos charmes seuls j\u2019entretiens les d\u00e9serts<\/em> by Fr\u00e9d\u00e9ric Sonntag at L\u2019\u00c9p\u00e9e de Bois; and Rabelais<\/em> by Jean-Louis Barrault, directed by Herv\u00e9 Van der Meulen, performed at the Th\u00e9\u00e2tre Montansier in Versailles, Th\u00e9\u00e2tre 13 in Paris, and the Studio-Th\u00e9\u00e2tre in Asni\u00e8res. In parallel, he worked with the Grenier de Toulouse company on several projects under the direction of St\u00e9phane Batlle, Pierre Matras, and Laurent Collombert.<\/p>\n
Lo\u00efc has also written and directed a short play, L\u2019Abeille qui roule sur l\u2019hibiscus bleut\u00e9<\/em>, performed at Th\u00e9\u00e2tre du Rond-Point as part of “Conservatoires en Sc\u00e8ne.” More recently, he directed Une visite inopportune<\/em> by Copi for the Grenier de Toulouse.<\/p>\n
He met \u00c9lise Vigneron at the end of 2021 and subsequently joined the project Les Vagues<\/em>.<\/p>\n
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[\/et_pb_toggle][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”Thibaut Boisl\u00e8ve” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.6em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Thibaut Boisl\u00e8ve<\/h2>\n
Light and sound manager ANYWHERE<\/a><\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
\"thibaut-boisleve\"<\/p>\n
Thibaut followed the entire degree at the Beaux Arts school in Avignon. He obtained his diploma in 1998 and engaged himself through many collective expositions in Europe. He co-created plenty of musical formations, such as \u00ab\u00a0Insert\u00a0\u00bb and joined \u00ab\u00a0Libertalia\u00a0\u00bb improvisation group and experimental violin. He took part within several creation from the collectif \u00ab\u00a0Le Larynx\u00a0\u00bb. <\/o:p>Since 2007, he has been working as a Technical manager at the 3bisF, contemporary art venue, As well as for many arts companies (L\u2019Individu, Attention Fragile, Skappa, l\u2019Art de Vivre, Th\u00e9\u00e2tre de l\u2019Entrouvert,\u2026) for whom he has ensured sound, light, stages or general technic. He is also sound manager for the festival \u00ab\u00a0Les rencontres de Haute Romanche\u00a0\u00bb.<\/o:p><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”Pascal Charrier” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Pascal Charrier<\/h2>\n
Sound Design TRAVERS\u00c9ES
Guitar composer \/ Sound Creation L’ENFANT<\/a>
<\/em>Guitar composer \/ Sound Creation\u00a0ANYWHERE<\/a>
Guitar composer \/ Sound Creation IMPERMANENCE<\/a>
Live music TRAVERSEES\/FRAGMENTS<\/a>
Outside Ear LES VAGUES<\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
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\"PASCAL <\/span><\/p>\n
Jazz guitarist by training, composer, producer, Pascal Charrier was born in 1976 in Marseille (Fr) and lives in Saignon in the Luberon (Vaucluse). Insatiable researcher of sounds and colors, as a guitarist and composer, he mixes timbre research, rhythmic architecture and trance. He works on forms with very acoustic sound referring to a traditional Jazz sound but also on forms involving electronics and sound signal processing. He plays 6-string electric and acoustic guitars as well as Oud. He also works as a composer for creations for contemporary visual theater (Th\u00e9\u00e2tre de l’Entrouvert – “Impermanence”, “Anywhere”, “Travers\u00e9es Fragment”). He has been the main engine and captain of the Na\u00ef No Ship since its creation.<\/span><\/p>\n<\/div>\n
[\/et_pb_toggle][et_pb_text admin_label=”St\u00e9phanie Farison” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
St\u00e9phanie Farison<\/h2>\n
Actress L’ENFANT<\/a>
<\/em>Playwright IMPERMANENCE<\/a>
Playwright TRAVERSEES<\/em><\/a>
Actor Direction LES VAGUES<\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
\"stephanie-farison\"<\/span><\/p>\n
Leaving the conservatory in 2000 after having been in the classes of Dominique Valadi\u00e9, Jacques Lassalle and Mario Gonzales, I work as a theater performer with Ramin Gray, Jo\u00ebl Jouaneau, Sylvain Maurice, Charles Tordjman, Robert Cantarella, Frederic Fisbach, Julie Brochen, Vivianne Th\u00e9ophilides, Michel Dydim, Alain Fran\u00e7on, Anne Margrit Leclerc, Fr\u00e9d\u00e9rique Mainguand, Madeleine Louarn, St\u00e9phanie Peinado, Mireille Perrier, Alice Laloy, Lucie Valon on pieces from the classical as well as contemporary repertoire. In 2004, I co-founded the collective F 71, and created until 2014 four shows Foucault 71, La prison, Qui Suis-Je Outre?, Notre corps utopique, all from the work of the philosopher Michel Foucault . Today, we work from the classified ads of \u201cSandwich\u201d, a Liberation supplement published in the 80s. Interested in dance, I followed internships in particular with Georges Appaix and I participated in 2006 in the creation of the SET choreographic show by Fran\u00e7ois Raffinot. I collaborate with Cyril Bourgois, \u00c9lise Vigneron and Alice Laloy, puppeteers, as playwright, director of actor or manipulator actor. I am continuing my clown training by participating in several workshops and I recently played, in 2017, Funny bird a show by Lucie Valon.<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”St\u00e9phanie Farison” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Kristina Dementeva<\/h2>\n
Actress and pupetteer TRAVERSEES<\/a>
Actress and pupetteer LES VAGUES<\/em><\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” locked=”off” global_colors_info=”{}”]<\/p>\n
\"Kristina<\/span><\/p>\n
She trained at the Minsk Academy of Arts and at ESNAM (graduate 2017, 10th class). She has worked with several companies in Belarus, Russia, France and Finland. She has appeared in various shows, directed by Ura Divakov (Cie Laboratory of Oscar, Belarus), Linnea Happonen (Krepsko Theater Group, Finland), B\u00e9rang\u00e8re Vantusso (Cie Trois-Six-Trente, France), Guillaume Lecamus (Morbus Theater , France), Jo\u00eblle Nogu\u00e8s (Cie Pupella Nogues, France). In creation, she notably collaborated with Pierre Dupont, Lou Simon, Faustine Lancel, Zo\u00e9 Grossot (puppeteers), Andr\u00e9 Markowicz (translator), Antoine Herniotte (actor, playwright). Today, she is a puppeteer-performer on Yoann Pencole’s shows (Cie ZUSVEX); Elise Vigneron (Th\u00e9\u00e2tre de l’Entrouvert). She has created and co-created several theatrical forms in Russia and France, including La foret \u00e7a n\u2019existe avec Pierre Dupont. She is currently working on the Chantiers Parades project<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”St\u00e9phanie Farison” _builder_version=”4.27.2″ text_font=”|300|||||||” text_line_height=”1em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Azusa Tackeuchi<\/h2>\n
Dancer, actress, and puppeteer LES VAGUES
<\/em><\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.27.4″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” locked=”off” global_colors_info=”{}”]<\/p>\n
\"\"<\/a><\/p>\n
Born in 1985 in Japan, she graduated from NIHON University of the Arts before moving to France in 2008 with a Japanese government scholarship for artists. She interned with the Forest Beats Company (directed by Yutaka Takei) and at the Centre de D\u00e9veloppement Chor\u00e9graphique-Toulouse\/Midi Pyr\u00e9n\u00e9es from 2010 to 2012, where she worked with artists such as Vincent Dupont, Alain Buffard, Robyn Orlin, and Mladen Materic.<\/p>\n
Since 2012, she has performed for various choreographers, including Myriam Gourfink (<Structure Souffle<\/em>> 2021, <Glissement d\u2019infini<\/em>> 2019, <EVAPORE<\/em>> 2018), Franck Vigroux (<Flesh<\/em>> 2018, <Ruines<\/em>> 2016, <Aucun Lieu<\/em>> 2013, choreographed by Myriam Gourfink), Romeo Castellucci (<Democracy in America<\/em>> 2017), Rita Cioffi (<LED\u2019s PLAY<\/em>> 2014), Motoko Hirayama (<POISON<\/em>> 2015\/2019), Yuta Ishikawa (<Dust Park2<\/em>> 2012), and in operas by J\u00e9r\u00f4me Deschamps (<Mar\u00f4uf<\/em>> 2013, choreographed by Franck Chartier\/Peeping Tom) and Christian Rizzo (<Tanhauser<\/em>> 2012).<\/p>\n
Additionally, she creates and performs her own small-format pieces, such as <Le blanc<\/em>> 2010, <KAMi<\/em>> 2011, and <Emotional Intelligence<\/em>> 2015. With these solo works, she won the Masdanza prize at the Yokohama Dance Collection EX 2011 in Japan and was a finalist at Masdanza16 in the Canary Islands in 2011 and the Toyota Choreography Award in Japan in 2012. In 2019, her piece <40Winks<\/em>> was selected by Aerowaves.<\/p>\n
She began creating large-format pieces in collaboration with director Mladen Materic, starting with a solo work, <Pri\u00e8re pour Vera Ek<\/em>> in 2015, and later <For\u00eat<\/em>>, with composer\/director Franck Vigroux in 2021. In 2019, she premiered her solo <kara-da-kara<\/em>> at Th\u00e9\u00e2tre Garonne in Toulouse.<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”St\u00e9phanie Farison” _builder_version=”4.27.2″ text_font=”|300|||||||” text_line_height=”1em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Zo\u00e9 Lizot<\/h2>\n
Actress, and puppeteer LES VAGUES
<\/em><\/p>\n
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\"\"<\/a><\/p>\n
Actress, director, and puppeteer, Zo\u00e9 Lizot studied at the Studio Th\u00e9\u00e2tre d\u2019Asni\u00e8res and the conservatories of the 14th and 8th arrondissements of Paris. She then joined the 11th class of the \u00c9cole Nationale Sup\u00e9rieure des Arts de la Marionnette (ESNAM).<\/p>\n
Since graduating in 2019, she has worked as a performer with various companies, including Entre eux deux rives, Th\u00e9\u00e2tre de l\u2019Entrouvert (\u00c9lise Vigneron), Cie Grizzli, Cie D\u00e9sirades, and Les Nouveaux Ballets du Nord-Pas-de-Calais (Am\u00e9lie Poirier). She also collaborates artistically with other artists, notably Chlo\u00e9 Dabert for the play Le Mur invisible<\/em> (premiered at the Festival d\u2019Avignon In 2021).<\/p>\n
In 2020, she became an associate artist at Le Tas de Sable \u2013 Ches Panses Vertes in Amiens and founded her own company, 240volts<\/em>, to develop her first production, Faut profiter (ben oui)<\/em>, co-directed with playwright Val\u00e9rian Guillaume.<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”St\u00e9phanie Farison” _builder_version=”4.27.2″ text_font=”|300|||||||” text_line_height=”1em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Thomas Cordeiro<\/h2>\n
Actor, and puppeteer LES VAGUES
<\/em><\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.27.4″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” locked=”off” global_colors_info=”{}”]<\/p>\n
\"\"<\/a><\/p>\n
Thomas Cordeiro grew up in Rambouillet and discovered theater through an amateur company directed by Dimitri Bismuth. He later pursued environmental biology studies in Versailles.<\/p>\n
He began his training as an actor and puppeteer at Th\u00e9\u00e2tre aux Mains Nues in Paris. He then traveled to Minsk to refine his acting skills at the Franco-Belarusian school Demain le Printemps<\/em>.<\/p>\n
In 2014, he joined the \u00c9cole Sup\u00e9rieure Nationale des Arts de la Marionnette (ESNAM) in Charleville-M\u00e9zi\u00e8res and took part in the graduation production of the 10th class: The Caucasian Chalk Circle<\/em>, directed by B\u00e9rang\u00e8re Vantusso, which is currently touring several national theaters.<\/p>\n
<\/span><\/p>\n
[\/et_pb_toggle][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Messaoud Ferhat” _builder_version=”4.16″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Messaoud Ferhat<\/h2>\n
Stage manager and decors builder IMPERMANENCE<\/a>
 Decors builder ANYWHERE<\/a><\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
\"Meassaoud <\/p>\n
Theater manager since 1989, he also builds sets, accessories, steel, wood … He particularly likes stage management to be as close as possible to what is happening on stage. He works and has worked with the company Th\u00e9\u00e2tre de Nuit, Ilotopie, D\u00e9lices DADA, Th\u00e9\u00e2tre de feu, at Les Amandiers, at the Sc\u00e8ne Nationale de Cavaillon, at the Festival d’Avignon, at the Com\u00e9die de Reims, at the Th\u00e9\u00e2tre des Salins in Martigues … He is part of the dance group led by choreographer Thierry Thie\u00fb Nang. He died in May 2016.<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”Eleonora Gimenez” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Eleonora Gimenez<\/h2>\n
Workshop speaker ANYWHERE<\/a>
Circus artist, dancer IMPERMANENCE<\/a>
Co-director LANDS, HABITER LE MONDE \/ TRACES<\/a><\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
\"Eleonora<\/span><\/p>\n
Trained in socio-cultural anthropology at the National University of Rosario, Argentina, Eleonora is an author, performer and circus and theater director graduated from the Fratellini Academy, France (2009). She also obtained the certificate in circus dramaturgy at the Center National des Arts du Cirque, France (2019). In 2015 she created the company Proyecto Precipicio to bring her first creation in France CAE “\u00c7a tomb” (2015) followed by Lugar (2017). Within this company, she also develops several educational and territorial action projects. In this same approach, in collaboration with the philosopher Diego Vernazza they develop the PHILOCIRQUE workshop, a leap into the world of ideas. In 2013 she joined the company Th\u00e9\u00e2tre de L’Entrouvert and collaborated with \u00c9lise Vigneron in the plays: Impermanence (2013) interpreter, Anywhere (2016) choreographic accompaniment and LANDS, habiter le monde (2021) in co-writing. She is currently working in dramaturgy and accompanies the staging of \u201cPLI\u201d by Inbal Ben-Haim and \u201cDes ses Mains\u201d by Cie Lunatic. She is part of the research collective “La vie des lignes” (Cie. Lunatic) at the crossroads of circus, Body Mind Centering and anthropology and is preparing her new creation BABEL which will be released in spring 2023.<\/span><\/em><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”Cyril Monteil” _builder_version=”4.16″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” link_option_url=”Sarah Lascar” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Cyril Monteil<\/h2>\n
Sound and light manager ANYWHERE<\/a>
 <\/em><\/em>Sound and light manager IMPERMANENCE<\/a><\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
\"Cyril-monteil\"<\/span><\/p>\n
In performing arts for more than 28 years, after some studies in the technical fields and some stage experiences, he began his professional life with “Cl\u00e9man\u00e7on Sc\u00e8nes”. Very quickly, he returned to the Dordogne to successively take over the management of several stage performance companies for 10 years. The crisis of the thirties, pushes him to put management aside, to return to his passion: the live performance. Since then, he has collaborated with several companies such as Cie des Claviers, Cie Temps Present, Cie Mauvais Esprit, Cie La Truc, Cie Jakart, Cie Th\u00e9\u00e2tre Espace, but also the P\u00f4le National des Arts du Cirque.<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”Julien Tamisier” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Julien Tamisier<\/h2>\n
Piano, clavier \/ Sound creation L’ENFANT<\/a>
<\/em>Piano, clavier \/ Sound creation ANYWHERE<\/a>
Piano, clavier \/ Sound creation IMPERMANENCE<\/a>
Piano, clavier \/ Sound creation TRAVERS\u00c9ES<\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
\"julien-tamisier-photo\"<\/span><\/p>\n
Since 1998 he has been conducting musical research with the scriptwriter and singer Jean Pol Fargeau (screenwriter for Claire Denis, notably L\u00e9os Carax), with whom he tests various forms of text \/ music relationship. (L\u00e9al at the Sc\u00e8ne national le Volcan au Havre in 1999, IWC, fiction France-Culture in 2002 with the actor Yann Colette, Act3 in 2003). He also performs on the jazz and improvised music scene with musicians like Serge Lazarevitch, Eric Barret, Andr\u00e9 Vill\u00e9ger, Akosh S. Fantazio, Jeane Added. Founding member of the Melc group (Gildas Etevenard, Gilles Coronado Denis Jones), he also participates in the collective Phosph\u00e8ne with whom he records two albums, he also performs on the French song scene with Oshen (first part of B\u00e9nabar, Brigitte Fontaine, Miro , Alain Bashung. Jacques Higelin, Ana\u00cfs\u2026). He recorded the second album at Studio Acousti with Vincent S\u00e9gal, Cyril Atef, Jeffrey Boudreaux, DJ Shalom. A teacher of artistic instruction in current music, he teaches in particular at the National School of Music in Avignon and coordinates the Jazz Musiques Actuelles department.<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”Julien Tamisier” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Arnaud Louski-Pane<\/h2>\n
Plastic collaboration and puppet construction <\/strong>L’ENFANT<\/a><\/em>
Puppet construction IMPERMANENCE<\/a>
Puppet construction LES VAGUES<\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_font_size=”2px” open_icon_font_size=”2px” _builder_version=”4.16″ body_line_height=”1.6em” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”]<\/p>\n
\"Arnaud<\/span><\/p>\n
His training is eclectic: engineering sciences at ESIEE, linguistics at INALCO, sculpture at ENSAAMA-Olivier de Serres and puppet theater at ESNAM, from which he graduated in 2002. These influences lead to the creation of representation languages, defining a domain at the confluence of theater and the visual arts. He collaborates with Cie S’appelle reviens, Julika Mayer, Cie Sans Souci, Th\u00e9\u00e2tre du Phare, La Zouze, IKB, Th\u00e9\u00e2tre de l’Entrouvert, L\u00e0 O\u00f9 Th\u00e9\u00e2tre, Royal de Luxe, La Passionata Svironi, Jean-Louis Heckel , Jean-Pierre Lescot, the Th\u00e9\u00e2tre du Mouvement, Perrine Lievens, Cl\u00e9ment Bagot, Laurent Sfa, Laurent Chanel.<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”Julien Tamisier” _builder_version=”4.27.2″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}”]<\/p>\n
Chlo\u00e9e Sanchez<\/h2>\n
Actress and puppeteer LES VAGUES<\/p>\n
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\"\"<\/a><\/p>\n
Trained in 2014 at ESNAM, Chlo\u00e9e Sanchez is a puppeteer and visual artist by training. Since 2014, she has worked with various circus, theater, magic, and puppetry companies as a performer, visual artist, co-director, or outside eye. Through her company Ruska, she conducts cultural initiatives in specialized institutions.<\/span><\/p>\n
[\/et_pb_toggle][et_pb_text admin_label=”G\u00e9raldine Foucault” _builder_version=”4.27.4″ text_font=”|300|||||||” text_line_height=”1.2em” header_font=”|300|||||||” header_text_color=”#666666″ header_2_font=”Muli|300|||||||” header_2_text_color=”#666666″ header_2_font_size=”27px” header_4_font=”|||on|||||” header_4_text_color=”#666666″ header_4_font_size=”12px” header_4_line_height=”1.2em” custom_margin=”40px||0px||false|false” custom_padding=”10px||15px||false|false” border_width_top=”1px” border_color_top=”#666666″ locked=”off” global_colors_info=”{}” min_height=”75.9px”]<\/p>\n
Yumi Osanai<\/h2>\n
Actress and puppeteer LES VAGUES<\/p>\n
[\/et_pb_text][et_pb_toggle title=”bio” _builder_version=”4.27.4″ body_line_height=”1.6em” min_height=”10px” custom_padding=”0px|0px|20px|0px|false|false” locked=”off” global_colors_info=”{}”]<\/p>\n
\"\"<\/a><\/p>\n
Yumi Osanai was born in Saitama, Japan, and is both a dancer-performer and choreographer. Based in France since 2021, she works internationally. She graduated from Ochanomizu University in Tokyo in 2004 and began her career dancing with various dance companies in Japan. Since 2008, she has focused on her own creations.<\/p>\n
In 2010, she won the French Embassy Prize and the MASDANZA-EU Prize at the Yokohama Dance Collection R. She was a resident dancer at the National Choreographic Centers in Paris and Angers, France, where she created and presented her own work.<\/p>\n
In 2012, as part of the Emerging Artists Program by the Agency for Cultural Affairs, she trained in Budapest, Hungary, with Ferenc Feh\u00e9r and later toured in Hungary. From 2015 to 2016, she received a research grant from the POLA ARTS FOUNDATION for her performance Hidden Sense<\/em>, a participatory work that blurs the boundaries between audience and performers. This experimental piece was created in Brussels, Belgium, in 2016. For the next six years, she was based in Brussels, working as a dancer and choreographer, and completed an internship with the dance company Fieldworks.<\/p>\n
In 2015, she received another grant from the POLA ARTS FOUNDATION and interned with Fieldworks in Brussels. She produced and presented Hidden Sense<\/em>, continuing to explore its participatory format. Over the following six years, she was based in Brussels while working as a dancer and choreographer.<\/p>\n
Since 2010, she has collaborated with numerous choreographers, including Kin Sung Yong (South Korea), Fieldworks (Belgium\/Yukiko Shinozaki & Heine Avdal), Ro KyungAe (South Korea), Ferenc Feh\u00e9r (Hungary), Toshiko Oiwa (Japan), Ehsan Hemart (Iran), BaOmen Company (France), Opera Aix-en-Provence (2022), and Nadia Ratsimandresy & C\u00e9cile Th\u00e9venot (France).<\/p>\n
She is actively involved in various collaborations within the international art scene. In recent years, she has worked with Roeland Luyten (sound artist), Virginie Moly (visual artist), and Boriana.<\/p>\n
[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
artistic team Each artistic proposal is an opportunity for new collaborations with other artists (musicians, circus artists, dancers, visual artists, authors, playwrights, lighting designers) and other disciplines (scientific researchers, philosophers, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"[:fr]Chaque proposition artistique est l\u2019occasion de nouvelles collaborations avec d'autres artistes (musiciens, circassiens, danseurs, plasticiens, auteurs, dramaturges, cr\u00e9ateurs lumi\u00e8res) et d\u2019autres disciplines (chercheurs scientifiques, philosophes, techniciens\u2026).\nAu fil des rencontres un noyau dur se forme.\n\n[symple_toggle title=\"Corentin Abeille R\u00e9gisseur plateau et son ANYWHERE<\/strong>\" state=\"closed\"] \u00e0 venir\n\n[\/symple_toggle][symple_toggle title=\"H\u00e9l\u00e8ne Barreau \/ Collaboratrice artistique \/ Construction de marionnettes et\/ou regard ext\u00e9rieur L'ENFANT \/ IMPERMANENCE \/ TRAVERSEES \/ Marionnettiste et mise en sc\u00e8ne sur ANYWHERE<\/strong>\" state=\"closed\"]\"\"<\/a> Suite \u00e0 un bac STI, option arts appliqu\u00e9s, H\u00e9l\u00e8ne Barreau fait ses \u00e9tudes \u00e0 l\u2019Universit\u00e9 d\u2019Aix en Provence en Arts de la Sc\u00e8ne (niveau Licence) de 2007 \u00e0 2010. En 2009, dans le cadre de ses \u00e9tudes elle collabore pour la premi\u00e8re fois avec Elise Vigneron sur le spectacle Travers\u00e9es. De 2010 \u00e0 2011, elle travaille avec la compagnie du Th\u00e9\u00e2tre de Nuit en tant que marionnettiste au sein du spectacle La loba. Elle int\u00e8gre la neuvi\u00e8me promotion de l\u2019\u00c9cole Nationale sup\u00e9rieure des arts de la marionnette \u00e0 Charleville-M\u00e9zi\u00e8res et en sort dipl\u00f4m\u00e9e en 2014. Durant l\u2019\u00e9t\u00e9 2013, sa collaboration avec Elise Vigneron se poursuit sur le spectacle Impermanence pour lequel elle construit les objets manipul\u00e9s. Elle est interpr\u00e8te et marionnettiste dans le spectacle La pluie d\u2019\u00e9t\u00e9 mis en sc\u00e8ne par Sylvain Maurice et produit par le CDN de Sartrouville.\n\n[\/symple_toggle][symple_toggle title=\"Aur\u00e9lien Beylier \/ R\u00e9gisseur g\u00e9n\u00e9ral<\/strong>\" state=\"closed\"]\u00c0 venir [\/symple_toggle]\n\n[symple_toggle title=\"Thibaut Boisl\u00e8ve R\u00e9gisseur son et lumi\u00e8re ANYWHERE<\/strong>\" state=\"closed\"]Plasticien de formation, il est dipl\u00f4m\u00e9 des Beaux Arts d\u2019Avignon en 1998 et prend part \u00e0 plusieurs expositions collectives en Europe. Il d\u00e9veloppe \u00e9galement une pratique musicale et sonore. Ainsi il co-fonde \u00ab Insert \u00bb, coop\u00e9ration sonore de deux sculpteurs minimalistes, l\u2019ensemble vocale \u00ab Le Nom Commun \u00bb, et rejoint \u00ab Libertalia \u00bb groupe d\u2019improvisation et de lutherie exp\u00e9rimentale. Il participe \u00e9galement \u00e0 plusieurs cr\u00e9ations du collectif \u00ab le larynx \u00bb ainsi qu\u2019\u00e0 la cr\u00e9ation de \u00ab Legs \u00bb pour le danseur Bertrand Lombard. Parall\u00e8lement il travaille aussi en tant que r\u00e9gisseur de spectacle au 3 Bis F de 2007 \u00e0 2009 puis avec plusieurs compagnies : Attention Fragile (r\u00e9gie son, lumi\u00e8re et r\u00e9gie g\u00e9n\u00e9rale) depuis 2011, Skappa (r\u00e9gie lumi\u00e8re et plateau) depuis 2013, L\u2019Art de Vivre (r\u00e9gie son) depuis 2015, le Th\u00e9\u00e2tre de l\u2019Entrouvert (r\u00e9gie lumi\u00e8re) depuis 2016, le festival les Rencontres de Haute Romanche (r\u00e9gie son) depuis 2016.[\/symple_toggle]\n\n[symple_toggle title=\"Pascal Charrier \/ Guitare \/ Cr\u00e9ation de la bande son d'IMPERMANENCE , de TRAVERSEES\/FRAGMENTS, d'ANYWHERE et l'ENFANT<\/strong>\" state=\"closed\"] \"\"<\/a> <\/strong>Guitariste Jazz de formation, compositeur, producteur. Insatiable chercheur de sons et de couleurs, en tant que guitariste et compositeur, il m\u00eale recherches de timbre, architecture rythmique et transe. Il travaille sur des formes au son tr\u00e8s acoustiques faisant r\u00e9f\u00e9rence \u00e0 un son traditionnel du Jazz mais \u00e9galement sur des formes mettant en jeu de l\u2019\u00e9lectronique et du traitement du signal sonore. Il joue des guitares \u00e9lectriques et acoustiques \u00e0 6 cordes ainsi que du Oud.\nIl travaille \u00e9galement en tant que compositeur pour des cr\u00e9ations en direction du th\u00e9\u00e2tre visuel contemporain (Th\u00e9\u00e2tre de l\u2019Entrouvert \u2013 \u201cImpermanence\u201d, \u201cAnywhere\u201d, \u00ab Travers\u00e9es Fragment \u00bb). Il est le moteur principal et le capitaine du Navire Na\u00ef No depuis sa cr\u00e9ation. Collaborations : Julien Soro, Rafa\u00ebl Koerner, Bastien Ballaz, Guillaume Ruelland, Florent Corbou, Fantazio, \u00c9milie Lesbros, V\u00e9ronique Mula, Julien Tamisier, St\u00e9phane Payen, Robin Fincker, Sylvain Darrifourcq, Fr\u00e9d\u00e9ric Bargeon Briet, Malik Mezzadri (Magic Malik), Mark Guiliana, M\u00e9d\u00e9ric Collignon, Jozef Dumoulin, Teun Verbruggen, Philippe Lemoine.\n\n[\/symple_toggle][symple_toggle title=\"St\u00e9phanie Farison <\/strong>Regard ext\u00e9rieur, et dramaturge sur les spectacles TRAVERS\u00c9ES et IMPERMANENCE \/ Com\u00e9dienne dans l'ENFANT<\/strong>\" state=\"closed\"] Sortie du conservatoire en 2000 apr\u00e8s avoir \u00e9t\u00e9 dans les classes de Dominique Valadi\u00e9, Jacques Lassalle et Mario Gonzales, je travaille comme interpr\u00e8te au th\u00e9\u00e2tre avec Ramin Gray, Jo\u00ebl Jouaneau, Sylvain Maurice, Charles Tordjman, Robert Cantarella, Frederic Fisbach, Julie Brochen, Vivianne Th\u00e9ophilides, Michel Dydim, Alain Fran\u00e7on, Anne Margrit Leclerc, Fr\u00e9d\u00e9rique Mainguand, Madeleine Louarn, St\u00e9phanie Peinado, Mireille Perrier, Alice Laloy, Lucie Valon aussi bien sur des pi\u00e8ces du r\u00e9pertoire classique que contemporain. En 2004, j\u2019ai co-fond\u00e9 le collectif F 71, et cr\u00e9e jusqu\u2019en 2014 quatre spectacles Foucault 71, La prison, Qui Suis-Je Maintenant ?, Notre corps utopique, tous \u00e0 partir de l\u2019\u0153uvre du philosophe Michel Foucault. Aujourd\u2019hui, nous travaillons \u00e0 partir des petites annonces de \u00ab Sandwich \u00bb un suppl\u00e9ment de Lib\u00e9ration paru dans les ann\u00e9es 80. Int\u00e9ress\u00e9e par la danse j\u2019ai suivi des stages notamment avec Georges Appaix et j\u2019ai particip\u00e9 en 2006 \u00e0 la cr\u00e9ation du spectacle chor\u00e9graphique SET de Fran\u00e7ois Raffinot. Je collabore avec Cyril Bourgois, Elise Vigneron et Alice Laloy, des marionnettistes, comme dramaturge, directeur d\u2019acteur ou acteur manipulateur. Je continue une formation de clown en participant \u00e0 plusieurs stages et j\u2019ai jou\u00e9 r\u00e9cemment, en 2017, Funny bird un spectacle de Lucie Valon.\n\n[\/symple_toggle][symple_toggle title=\"Messaoud Ferhat \/<\/strong> R\u00e9gisseur plateau et constructeur de d\u00e9cors sur les spectacles IMPERMANENCE et ANYWHERE<\/strong>\" state=\"closed\"]\"Messaoud1<\/a> R\u00e9gisseur de th\u00e9\u00e2tre depuis 1989, il construit \u00e9galement des d\u00e9cors, des accessoires, en acier, en bois\u2026 Il aime particuli\u00e8rement la r\u00e9gie plateau pour \u00eatre au plus pr\u00e8s de ce qui se passe sur la sc\u00e8ne. Il travaille et a travaill\u00e9 avec la compagnie Th\u00e9\u00e2tre de Nuit, Ilotopie, D\u00e9lices DADA, Th\u00e9\u00e2tre de feu, aux Amandiers, \u00e0 la Sc\u00e8ne Nationale de Cavaillon, au Festival d\u2019Avignon, \u00e0 la Com\u00e9die de Reims, au Th\u00e9\u00e2tre des Salins \u00e0 Martigues\u2026\nIl fait partie du groupe danse dirig\u00e9 par le chor\u00e9graphe Thierry Thie\u00fb Nang.\nIl d\u00e9c\u00e8de en mai 2016.\n\n[\/symple_toggle][symple_toggle title=\"Eleonora Gimenez \/ Intervenante atelier sur ANYWHERE \/ circassienne, danseuse sur le spectacle IMPERMANENCE<\/strong>\" state=\"closed\"]\n\"Eleonora<\/a>Elle est dipl\u00f4m\u00e9e de l\u2019Universit\u00e9 Nationale de Rosario en Anthropologie socioculturelle et de l\u2019\u00e9cole Sup\u00e9rieure des arts du cirque Acad\u00e9mie<\/strong> Fratellini <\/strong>\u00e0 Paris en 2009.\nElle est co-fondatrice des compagnies Circo Volante <\/strong>(Argentine) et La Mula <\/strong>( Argentine-Belgique) . Depuis 2013, elle travaille avec le Th\u00e9\u00e2tre de l\u2019Entrouvert <\/strong>sur le spectacle Impermanence (France). Elle dirige la compagnie \u00ab PROYECTO PRECIPICIO \u00bb <\/strong>dont la prochaine cr\u00e9ation \u201cLugar, rien est \u00e0 sa place\u201d a re\u00e7u le prix SACD. Elle a enseign\u00e9 les arts du cirque \u00e0 l\u2019\u00ab Escuela de Artes Urbanas \u00bb (Rosario, Argentine),<\/em> \u00e0 l\u2019\u00ab Ecole Sup\u00e9rieure des Arts du Cirque du Maroc \u00bb (Rabat), <\/em>\u00e0 l\u2019 \u00ab Acad\u00e9mie Fratellini \u00bb, au \u00ab Samovar \u00bb (Paris) \u00e0 <\/em>La Scuola Romana di Circo (Roma) et \u00e0 la F(A)AAAC.<\/em>\n\nTh\u00e9\u00e2tre de l\u2019Union, le Th\u00e9\u00e2tre de la Colline, le Festival Mimos, le Festival du P\u00e9rigord Noir\u2026\n\n[\/symple_toggle][symple_toggle title=\"Sarah Lascar \/ Marionnettiste sur L'ENFANT \/ ANYWHERE<\/strong>\" state=\"closed\"] \"\"<\/a>Apr\u00e8s un bac Th\u00e9\u00e2tre et un DEUG en Arts du spectacle, Sarah Lascar se forme pendant deux ans \u00e0 l'\u00e9cole du Samovar \u00e0 Bagnolet. Puis, elle int\u00e8gre la septi\u00e8me promotion de l'ESNAM (\u00c9cole Nationale Sup\u00e9rieure des Arts de la Marionnette) dont elle sort dipl\u00f4m\u00e9e en 2008. A sa sortie de l'\u00e9cole, elle monte une compagnie, Le Th\u00e9\u00e2tre \u00c9labore et cr\u00e9e trois spectacles dont elle assure la mise en sc\u00e8ne: Chut\u2026, Wanted Calamity Jane et, Fleuve. Aujourd'hui Sarah retourne au plateau, en tant que com\u00e9dienne et marionnettiste. Elle travaille avec le Royal de Luxe et ses G\u00e9ants, V.O Compagnie (L'Homme \u00e0 l'Envers), le Th\u00e9\u00e2tre de l'Entrouvert (Anywhere, L\u2019Enfant) et la compagnie Art Zygote (L\u2019Assassin sans scrupule).\n\n[\/symple_toggle][symple_toggle title=\"Cyril Monteil \/<\/strong> R\u00e9gisseur g\u00e9n\u00e9ral, d\u00e9cors IMPERMANENCE et ANYWHERE<\/strong>\" state=\"closed\"]\n\"Cyril<\/a>Au service du spectacle vivant depuis plus de 28 ann\u00e9es, apr\u00e8s quelques \u00e9tudes dans les domaines techniques et quelques exp\u00e9riences de sc\u00e8ne, il d\u00e9bute sa vie professionnelle chez \u00ab Cl\u00e9man\u00e7on Sc\u00e9nique \u00bb.\nTr\u00e8s vite, il retourne en Dordogne pour prendre successivement, la direction de plusieurs entreprises de prestations sc\u00e9niques, et ce, pendant 10 ans.\nLa crise de la trentaine, le pousse \u00e0 mettre la gestion de c\u00f4t\u00e9, pour retourner \u00e0 sa passion : le spectacle vivant.\nDepuis, il collabore avec plusieurs compagnies telles que la Cie des Claviers, la Cie Temps Pr\u00e9sent, la Cie Mauvais Esprit, la Cie La Truc, la Cie Jakart, la Cie Th\u00e9\u00e2tre Espace, mais aussi le P\u00f4le National des Arts du Cirque, le\n\n[\/symple_toggle][symple_toggle title=\"Julien Tamisier \/ Piano, claviers \/ Cr\u00e9ation de la bande son d'IMPERMANENCE et ANYWHERE et L'ENFANT\" state=\"closed\"]\"10320901_250949621773526_827911804920563221_o\"<\/a><\/strong> Il m\u00e8ne depuis 1998 un travail de recherche musicale avec le sc\u00e9nariste et chanteur Jean Pol Fargeau (sc\u00e9nariste de Claire Denis, de L\u00e9os Carax notamment), avec qui il teste diverses formes de rapport texte \/ musique. (\u00ab L\u00e9al \u00bb \u00e0 la Sc\u00e8ne national le Volcan au Havre en 1999, \u00ab IWC \u00bb, fiction France-Culture en 2002 avec le com\u00e9dien Yann Colette, \u00ab Act3 \u00bb en 2003).\nIl se produit aussi sur la sc\u00e8ne jazz et musique improvis\u00e9e avec des musiciens comme Serge Lazarevitch, Eric Barret, Andr\u00e9 Vill\u00e9ger, Akosh S. Fantazio, Jeane Added. Membre fondateur du groupe Melc (Gildas Etevenard, Gilles Coronado Denis Jones), il participe aussi au collectif Phosph\u00e8ne avec qui il enregistre deux albums, il se produit par ailleurs sur la sc\u00e8ne chanson fran\u00e7aise avec Oshen (premi\u00e8re partie de B\u00e9nabar, Brigitte Fontaine, Miro, Alain Bashung. Jacques Higelin, Ana\u00cfs\u2026). Il enregistre le 2\u00e8me album au Studio Acousti avec Vincent S\u00e9gal, Cyril Atef, Jeffrey Boudreaux, DJ Shalom.Professeur d\u2019enseignement artistique musiques actuelles, il enseigne notamment \u00e0 l\u2019Ecole Nationale de Musique d\u2019Avignon et coordonne le d\u00e9partement Jazz Musiques Actuelles. [\/symple_toggle]<\/strong>\n\n[:en] Each artistic proposition leads to new collaborations along with other artists (musicians, circus artists, dancers, authors, playwrights, light creators, ...) and other disciplines (scientists, phylosophers, technicians\u2026).\nStep by step the nucleus get formed.\n\n[symple_toggle title=\"Corentin Abeille R\u00e9gisseur plateau et son ANYWHERE<\/strong>\" state=\"closed\"] To be anounced [\/symple_toggle]\n\n[symple_toggle title=\"H\u00e9l\u00e8ne Barreau \/ Collaboratrice artistique \/ Construction de marionnettes et\/ou regard ext\u00e9rieur L'ENFANT \/ IMPERMANENCE \/ TRAVERSEES \/ Marionnettiste et mise en sc\u00e8ne sur ANYWHERE<\/strong>\" state=\"closed\"] <\/a>\"\"<\/a>After three years training in Applied Arts followed by three more years training as an actress, she joined the 9th promotion of the ESNAM (Ecole Superieure Nationale des Arts de la Marionette) where she never ceased to question the relationship between the material and its embodiment on stage. She obtained her diploma at the age of 24 in 2014. Since then, she has been collaborating with various theatre companies both as a builder and as a performer, and she is constantly deepening her own research. Her current work as a builder has led her to explore the concept of realism and its confrontation with what is real, as well as the immediacy in the relationship between the material, its transformation and the act of making it.\n\n[\/symple_toggle][symple_toggle title=\"Aur\u00e9lien Beylier \/ R\u00e9gisseur g\u00e9n\u00e9ral<\/strong>\" state=\"closed\"]\u00c0 venir [\/symple_toggle]\n\n[symple_toggle title=\"Thibaut Boisl\u00e8ve R\u00e9gisseur son et lumi\u00e8re ANYWHERE<\/strong>\" state=\"closed\"] To be anounced [\/symple_toggle]\n\n[symple_toggle title=\"Pascal Charrier \/ Guitare \/ Cr\u00e9ation de la bande son d'IMPERMANENCE , de TRAVERSEES\/FRAGMENTS et d'ANYWHERE<\/strong>\" state=\"closed\"] \"\"<\/a> <\/strong>Pascal CHARRIER<\/a>, a \u00e9tudi\u00e9 la musique \u00e0 l\u2019Imfp de Salon de Provence puis aupr\u00e8s d\u2019Alain Soler, au CMDL (centre des musiques Didier Lockwood) et au conservatoire d\u2019Avignon ou il a obtenu un premier prix de groupe. Il a \u00e9galement obtenu le prix du meilleur soliste au tremplin jazz de Porquerolles en 2008. Guitariste Leader du groupe Kami Quintet, il a \u00e9crit la musique des deux albums \u00ab Les Forces du mouvement \u00bb et \u00ab Human Spirals \u00bb ( label \/ AJMI S\u00e9ries), et s\u2019est produit sur de nombreuses sc\u00e8nes en France et \u00e0 l\u02bc\u00e9tranger (NYC). Co-leader du quartet \u00ab Freedom Songs \u00bb depuis 2013. Ses collaborations : Julien Soro, Rafa\u00ebl Koerner, Bastien Ballaz, Guillaume Ruelland, Florent Corbou, Fantazio, \u00c9milie Lesbros, V\u00e9ronique Mula, Julien Tamisier, St\u00e9phane Payen, Robin Fincker, Sylvain Darrifourcq, Fr\u00e9d\u00e9ric Bargeon Briet, Malik Mezzadri (Magic Malik), Mark Guiliana, Thomas Bourgeois, Maria Simoglu\u2026.\n\n[symple_toggle title=\"St\u00e9phanie Farison <\/strong>Regard ext\u00e9rieur, et dramaturge sur les spectacles TRAVERS\u00c9ES et IMPERMANENCE \/ Com\u00e9dienne dans l'ENFANT<\/strong>\" state=\"closed\"] Au CNSAD (promotion 2000), St\u00e9phanie Farison suit, entre autres, l\u2019enseignement de Dominique Valadi\u00e9 et Jacques Lassalle. Au th\u00e9\u00e2tre, elle travaille notamment aupr\u00e8s de Jo\u00ebl Jouanneau, Sylvain Maurice, Charles Tordjman, Robert Cantarella, Fr\u00e9d\u00e9ric Fisbach, Julie Brochen, Vivianne Th\u00e9ophilides, Michel Dydim, Alain Fran\u00e7on, Madeleine Louarn, Anne Margrit Leclerc, Fr\u00e9derique Mainguant. Int\u00e9ress\u00e9e par la danse, elle a suivi des stages avec Georges Appaix et participe en 2006 \u00e0 la cr\u00e9ation Set<\/em> de Fran\u00e7ois Raffinot. Elle travaille avec les marionnettistes, Cyril Bourgois et Elise Vigneron. Dipl\u00f4m\u00e9e d\u2019Etat, elle dirige des ateliers de pratiques th\u00e9\u00e2trales dans des lyc\u00e9es et dans des \u00e9coles de la marionnette. Form\u00e9e aux techniques du son au CFPTS elle assure plusieurs r\u00e9gies son.\n\n[symple_toggle title=\"Messaoud Ferhat \/<\/strong> R\u00e9gisseur plateau et constructeur de d\u00e9cors sur les spectacles IMPERMANENCE et ANYWHERE<\/strong>\" state=\"closed\"]\"Messaoud1<\/a> R\u00e9gisseur de th\u00e9\u00e2tre depuis 1989, il construit \u00e9galement des d\u00e9cors, des accessoires, en acier, en bois\u2026 Il aime particuli\u00e8rement la r\u00e9gie plateau pour \u00eatre au plus pr\u00e8s de ce qui se passe sur la sc\u00e8ne. Il travaille et a travaill\u00e9 avec la compagnie Th\u00e9\u00e2tre de Nuit, Ilotopie, D\u00e9lices DADA, Th\u00e9\u00e2tre de feu, aux Amandiers, \u00e0 la Sc\u00e8ne Nationale de Cavaillon, au Festival d\u2019Avignon, \u00e0 la Com\u00e9die de Reims, au Th\u00e9\u00e2tre des Salins \u00e0 Martigues\u2026\nIl fait partie du groupe danse dirig\u00e9 par le chor\u00e9graphe Thierry Thie\u00fb Nang.\nIl d\u00e9c\u00e8de en 2016.\n
[\/symple_toggle][symple_toggle title=\"Eleonora Gimenez \/ Intervenante atelier sur ANYWHERE \/ circassienne, danseuse sur le spectacle IMPERMANENCE<\/strong>\" state=\"closed\"]\n\"Eleonora<\/a>Born in Argentina, she has been living and working in Europe for 10 years. Graduated from National University of Rosario in sociocultural anthropology, she started circus in 1997 in a self-taught way. At very beginig she performed with the company Circo Volante (Argentina) and after with \u00ab La Mula \u00bb (Argentina-Belgium) with witch she toured in Europe in 2005. She has been a performer for \u00ab Theater des Augenblicks \u00bb as a part of the \u00ab The Library Production of Memories \u00bb project (Turkey) and for \u00ab Karlikdanza-teatro \u00bb (Extremadura, Spain). She was awarded a diploma from Academie Fratellini in 2010, where she created her first solo CAE (it falls), which toured in France and worldwide. She currently works in France for the company Th\u00e9\u00e2tre de l\u2019entrouvert (France) in \u00ab Impermanence \u00bb and for her first creation LUGAR, Rien est \u00e0 sa place.<\/p>\n[\/symple_toggle][symple_toggle title=\"Sarah Lascar \/ Marionnettiste sur L'ENFANT \/ ANYWHERE<\/strong>\" state=\"closed\"] \"\"<\/a>Apr\u00e8s un bac Th\u00e9\u00e2tre et un DEUG en Arts du spectacle, Sarah Lascar se forme pendant deux ans \u00e0 l'\u00e9cole du Samovar \u00e0 Bagnolet. Puis, elle int\u00e8gre la septi\u00e8me promotion de l'ESNAM (\u00c9cole Nationale Sup\u00e9rieure des Arts de la Marionnette) dont elle sort dipl\u00f4m\u00e9e en 2008. A sa sortie de l'\u00e9cole, elle monte une compagnie, Le Th\u00e9\u00e2tre \u00c9labore et cr\u00e9e trois spectacles dont elle assure la mise en sc\u00e8ne: Chut\u2026, Wanted Calamity Jane et, Fleuve.\nAujourd'hui Sarah retourne au plateau, en tant que com\u00e9dienne et marionnettiste. Elle travaille avec le Royal de Luxe et ses G\u00e9ants, V.O Compagnie (L'Homme \u00e0 l'Envers), le Th\u00e9\u00e2tre de l'Entrouvert (Anywhere, L\u2019Enfant) et la compagnie Art Zygote (L\u2019Assassin sans scrupule).\n\n[\/symple_toggle][symple_toggle title=\"Cyril Monteil \/<\/strong> R\u00e9gisseur g\u00e9n\u00e9ral, d\u00e9cors IMPERMANENCE et ANYWHERE<\/strong>\" state=\"closed\"]\n\"Cyril<\/a>Au service du spectacle vivant depuis plus de 28 ann\u00e9es, apr\u00e8s quelques \u00e9tudes dans les domaines techniques et quelques exp\u00e9riences de sc\u00e8ne, il d\u00e9bute sa vie professionnelle chez \u00ab Cl\u00e9man\u00e7on Sc\u00e9nique \u00bb.\nTr\u00e8s vite, il retourne en Dordogne pour prendre successivement, la direction de plusieurs entreprises de prestations sc\u00e9niques, et ce, pendant 10 ans.\nLa crise de la trentaine, le pousse \u00e0 mettre la gestion de c\u00f4t\u00e9, pour retourner \u00e0 sa passion : le spectacle vivant.\nDepuis, il collabore avec plusieurs compagnies telles que la Cie des Claviers, la Cie Temps Pr\u00e9sent, la Cie Mauvais Esprit, la Cie La Truc, la Cie Jakart, la Cie Th\u00e9\u00e2tre Espace, mais aussi le P\u00f4le National des Arts du Cirque, le Th\u00e9\u00e2tre de l\u2019Union, le Th\u00e9\u00e2tre de la Colline, le Festival Mimos, le Festival du P\u00e9rigord Noir\u2026\n\n[\/symple_toggle][symple_toggle title=\"Julien Tamisier \/ Piano, claviers \/ Cr\u00e9ation de la bande son d'IMPERMANENCE et ANYWHERE et L'ENFANT\" state=\"closed\"]\"10320901_250949621773526_827911804920563221_o\"<\/a><\/strong> Il m\u00e8ne depuis 1998 un travail de recherche musicale avec le sc\u00e9nariste et chanteur Jean Pol Fargeau (sc\u00e9nariste de Claire Denis, de L\u00e9os Carax notamment), avec qui il teste diverses formes de rapport texte \/ musique. (\u00ab L\u00e9al \u00bb \u00e0 la Sc\u00e8ne national le Volcan au Havre en 1999, \u00ab IWC \u00bb, fiction France-Culture en 2002 avec le com\u00e9dien Yann Colette, \u00ab Act3 \u00bb en 2003).\nIl se produit aussi sur la sc\u00e8ne jazz et musique improvis\u00e9e avec des musiciens comme Serge Lazarevitch, Eric Barret, Andr\u00e9 Vill\u00e9ger, Akosh S. Fantazio, Jeane Added. Membre fondateur du groupe Melc (Gildas Etevenard, Gilles Coronado Denis Jones), il participe aussi au collectif Phosph\u00e8ne avec qui il enregistre deux albums, il se produit par ailleurs sur la sc\u00e8ne chanson fran\u00e7aise avec Oshen (premi\u00e8re partie de B\u00e9nabar, Brigitte Fontaine, Miro, Alain Bashung. Jacques Higelin, Ana\u00cfs\u2026). Il enregistre le 2\u00e8me album au Studio Acousti avec Vincent S\u00e9gal, Cyril Atef, Jeffrey Boudreaux, DJ Shalom.Professeur d\u2019enseignement artistique musiques actuelles, il enseigne notamment \u00e0 l\u2019Ecole Nationale de Musique d\u2019Avignon et coordonne le d\u00e9partement Jazz Musiques Actuelles.[\/symple_toggle]\n\n[:]","_et_gb_content_width":"","footnotes":""},"class_list":["post-6184","page","type-page","status-publish","hentry"],"yoast_head":"\nArtistic team - Th\u00e9\u00e2tre de l'Entrouvert<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lentrouvert.com\/en\/lequipe\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Artistic team - Th\u00e9\u00e2tre de l'Entrouvert\" \/>\n<meta property=\"og:description\" content=\"artistic team Each artistic proposal is an opportunity for new collaborations with other artists (musicians, circus artists, dancers, visual artists, authors, playwrights, lighting designers) and other disciplines (scientific researchers, philosophers, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/lentrouvert.com\/en\/lequipe\/\" \/>\n<meta property=\"og:site_name\" content=\"Th\u00e9\u00e2tre de l'Entrouvert\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-14T08:13:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/corentinabeille.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1335\" \/>\n\t<meta property=\"og:image:height\" content=\"1330\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"30 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/lentrouvert.com\\\/en\\\/lequipe\\\/\",\"url\":\"https:\\\/\\\/lentrouvert.com\\\/en\\\/lequipe\\\/\",\"name\":\"Artistic team - 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