{"id":6256,"date":"2020-02-13T15:21:08","date_gmt":"2020-02-13T14:21:08","guid":{"rendered":"http:\/\/test.lentrouvert.com\/revue-de-presse\/"},"modified":"2025-11-03T15:34:44","modified_gmt":"2025-11-03T14:34:44","slug":"revue-de-presse","status":"publish","type":"page","link":"https:\/\/lentrouvert.com\/en\/revue-de-presse\/","title":{"rendered":"Press"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”l’Enfant” _builder_version=”4.21.0″ background_image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2019\/12\/pierrehybre03-1.jpg” parallax=”on” parallax_method=”off” custom_margin=”0px||||false|false” custom_padding=”50vh||||false|false” background_color_phone=”#E3EEF2″ background_last_edited=”off|desktop” background_enable_color_phone=”on” background_enable_image_phone=”off” global_colors_info=”{}”][et_pb_row admin_label=”les vagues” _builder_version=”4.27.0″ background_enable_color=”off” custom_margin=”0px||0px||false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”20px||0px||false|false” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text content_phone=”<\/p>\n

PRESS<\/span><\/h2>\n

” content_last_edited=”off|desktop” admin_label=”Grand titre Presse” _builder_version=”4.23.1″ text_text_color=”#FFFFFF” text_font_size=”13px” link_line_height=”1.4em” header_font=”Work Sans|100||on|||||” header_text_color=”#FFFFFF” header_font_size=”110px” header_2_font=”|300|||||||” header_2_font_size=”40px” header_3_font=”||||||||” header_4_font=”|300|||||||” header_4_font_size=”19px” header_6_font=”|500|||||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”60px||||false|false” custom_padding=”0px||0px||false|false” header_font_size_tablet=”” header_font_size_phone=”70px” header_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Press<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Les vagues 2″ _builder_version=”4.27.0″ background_color=”rgba(255,255,255,0.9)” custom_padding=”10px||0px||false|false” animation_direction=”bottom” border_width_top=”1px” border_style_top=”dotted” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” content_tablet=”<\/p>\n

L'Enfant (The Child)<\/h2>\n<\/p>\n

” content_phone=”<\/p>\n

L'Enfant (The Child)<\/h2>\n

” content_last_edited=”off|desktop” admin_label=”Grand titre Lands” _builder_version=”4.23.1″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Work Sans|200||on|||||” header_2_text_color=”#333333″ header_2_font_size=”55px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” header_2_font_size_tablet=”” header_2_font_size_phone=”40px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

TRACES \/ LANDS<\/h2>\n

 <\/p>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/02\/Revue-Presse-Les-Vagues-maj-2025.pdf” button_text=”Download the press review” _builder_version=”4.27.4″ custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”1px” button_font=”|||on|||||” button_icon=”||divi||400″ button_on_hover=”off” custom_margin=”4px||7px|15px|false|false” custom_padding=”|30px||10px|false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” min_height=”190.4px” custom_padding=”0px|||||” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/10\/logo-IF.png” alt=”logo France 3 alpes haute provence” title_text=”logo IF” _builder_version=”4.27.4″ width=”17%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.18.0″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” global_colors_info=”{}”]<\/p>\n

\n

\u00ab TRACES<\/em> est une adaptation du projet LANDS, Habiter le monde<\/em>, con\u00e7ue pour les Etats-Unis, une cr\u00e9ation participative qui explore la mati\u00e8re glace comme un outil de m\u00e9moire collective. <\/p>\n

Pens\u00e9 pour l\u2019espace public, TRACES <\/em>se d\u00e9ploie sur quatre jours sous la forme d\u2019un projet collaboratif qui a pour point de d\u00e9part le moulage des pieds en glace de vingt-cinq participants de tous \u00e2ges. Ces portraits \u00e9ph\u00e9m\u00e8res laissent appara\u00eetre la singularit\u00e9 de chacun, tissent des r\u00e9cits collectifs et sont le miroir de notre transformation. \u00bb
Par Institut fran\u00e7ais magazine<\/p>\n<\/blockquote>\n

<\/a><\/p>\n

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\n

A French ice puppeteer is coming to Rochester Fringe Festival.<\/p>\n

Elise Vigneron and project coordinator Nicole Birmann Bloom explain “TRACES.” The performance starts at 4 p.m. Saturday, Sept. 13 at the Spiegelgarden. <\/p>\n

<\/span><\/a><\/p>\n

<\/h6>\n

<\/a><\/p>\n<\/blockquote>\n

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\u00ab Vigneron sees the iced foot art – I still struggle with how to describe this – as much like footprints in sand, a temporary if not fleeting reminder of existence. The message is not so much a story of mortality but more so one of nature, she said, and an expression of our place in that world. <\/p>\n

There is a fragility and vulnerability to life and we as the world\u2019s inhabitants, Vigneron said. Ice, for her, captures that nature. \u00bb
Par Gary Graig<\/p>\n<\/blockquote>\n

<\/a><\/p>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/garycraig919628.substack.com\/p\/iced-feet-and-some-frost-robert-that” url_new_window=”on” button_text=”Read the article” button_alignment=”right” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”0px|2vh|5px||false|false” custom_padding=”||0px|||” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/10\/logo-NYS-music.jpg” alt=”logo dauphine libere” title_text=”logo – NYS music” _builder_version=”4.27.4″ width=”14%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.18.0″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”https:\/\/toutelaculture.com\/spectacles\/theatre\/fmtm-lenfant-elise-vigneron\/” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

\n

\u00ab TRACES<\/em> blends sculpture, sound, and movement to tell a unique story of the beauty and pain in our individual journeys and collective humanity. In TRACES<\/em>, Vigneron will bring a poetic sensibility to the interdependence of humans with one another and the environment. <\/em> \u00bb
Par Sophia Arredondo<\/span><\/a> <\/p>\n

<\/h6>\n

<\/a><\/p>\n<\/blockquote>\n

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\n

\u00ab Aborder l’\u00e9cologie ou le r\u00e9chauffement climatique au travers d’oeuvres \u00e9ph\u00e9m\u00e8res. C’est ce qu’entreprend la plasticienne et metteuse en sc\u00e8ne Elise Vigneron et une quarantaine de participants. Un moment po\u00e9tique et sonore, \u00e0 voir en famille. \u00bb
Par B\u00e9r\u00e9nice Bury<\/p>\n<\/blockquote>\n

<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2022\/09\/dauphine-libere.jpg” alt=”logo dauphine libere” title_text=”dauphin\u00e9 libere” _builder_version=”4.18.0″ width=”14%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.18.0″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”https:\/\/toutelaculture.com\/spectacles\/theatre\/fmtm-lenfant-elise-vigneron\/” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

\n

\u00ab La performance Lands, habiter le monde, quasiment muette, faisait la part belle \u00e0 l’expression physique : l’occasion de nouer des liens forts entre ces inconnus. \u00bb
Par Baptiste Labarre<\/p>\n

<\/h6>\n

<\/a><\/p>\n<\/blockquote>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Les vagues 2″ _builder_version=”4.27.4″ background_color=”rgba(255,255,255,0.9)” custom_margin=”1vh||||false|false” custom_padding=”10px||0px||false|false” animation_direction=”bottom” border_width_top=”1px” border_style_top=”dotted” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” content_tablet=”<\/p>\n

L'Enfant (The Child)<\/h2>\n<\/p>\n

” content_phone=”<\/p>\n

L'Enfant (The Child)<\/h2>\n

” content_last_edited=”off|desktop” admin_label=”Grand titre Lands” _builder_version=”4.23.1″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Work Sans|200||on|||||” header_2_text_color=”#333333″ header_2_font_size=”55px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” header_2_font_size_tablet=”” header_2_font_size_phone=”40px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

MIZU<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.25.2″ background_color=”rgba(255,255,255,0.9)” min_height=”193.4px” custom_margin=”||||false|false” custom_padding=”0px||1vh||false|false” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/10\/logo-france-3-champagne-ardenne.png” alt=”Logo T\u00e9l\u00e9rama” title_text=”logo-france-3-champagne-ardenne” admin_label=”logo la provence” _builder_version=”4.27.4″ width=”17%” custom_margin=”7px|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.27.4″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” global_colors_info=”{}”]<\/p>\n

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<\/span>France 3 R\u00e9gions – ICI 19\/20
<\/span>\u00c9mission du vendredi 26\/09\/25<\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/vimeo.com\/1123806999″ url_new_window=”on” button_text=”regarder l'interview” button_alignment=”right” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”|2vh|||false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23.1″ custom_padding=”||0vh||false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/10\/cultnews.png” alt=”Logo Les Echos” title_text=”cultnews” _builder_version=”4.27.4″ width=”20%” custom_margin=”3px|||15px|false|false” mix_blend_mode=”multiply” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.27.4″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||0px||false|false” custom_padding=”|15px||15px|false|false” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

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“Le public retient son souffle. Vie et mort se jouent dans ces 40 minutes d\u2019un spectacle philosophique et po\u00e9tique entre douceur et dernier \u00e9lan de force. Dans ce th\u00e9\u00e2tre \u00e0 ciel ouvert, tout est suspendu, un rien peut faire \u00e9clater la tranquillit\u00e9 du lieu et de l\u2019instant. Avec une technique exigeante et un sens du temps d\u2019arr\u00eat, les trois artistes composent avec Mizu une m\u00e9taphore puissante de l\u2019impr\u00e9visibilit\u00e9 et de la fugacit\u00e9 de la vie.” Par Luna Beaudouin-Goujon le 29\/09\/2025 <\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/www.lesechos.fr\/weekend\/spectacles-musique\/vagues-de-glace-au-coeur-de-la-tempete-2095626″ url_new_window=”on” button_text=”Read the article” button_alignment=”right” _builder_version=”4.25.2″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”0px|2vh|5px||false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Les vagues 2″ _builder_version=”4.27.4″ background_color=”rgba(255,255,255,0.9)” custom_margin=”1vh||||false|false” custom_padding=”10px||0px||false|false” animation_direction=”bottom” border_width_top=”1px” border_style_top=”dotted” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” content_tablet=”<\/p>\n

L'Enfant (The Child)<\/h2>\n<\/p>\n

” content_phone=”<\/p>\n

L'Enfant (The Child)<\/h2>\n

” content_last_edited=”off|desktop” admin_label=”Grand titre Lands” _builder_version=”4.23.1″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Work Sans|200||on|||||” header_2_text_color=”#333333″ header_2_font_size=”55px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” header_2_font_size_tablet=”” header_2_font_size_phone=”40px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

les vagues<\/h2>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/02\/Revue-Presse-Les-Vagues-maj-2025.pdf” button_text=”Download the press review” _builder_version=”4.27.4″ custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”1px” button_font=”|||on|||||” button_icon=”||divi||400″ button_on_hover=”off” custom_margin=”4px||7px|15px|false|false” custom_padding=”|30px||10px|false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.25.2″ background_color=”rgba(255,255,255,0.9)” min_height=”193.4px” custom_margin=”||||false|false” custom_padding=”0px||1vh||false|false” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/09\/france-culture.jpg” alt=”Logo France Culture” title_text=”france culture” admin_label=”logo la provence” _builder_version=”4.27.0″ width=”17%” custom_margin=”7px|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.27.0″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||0px||false|false” custom_padding=”|15px|0px|15px|false|false” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

\n

“Des marionnettes de glaces pour Les Vagues de Virigina Wolf.”<\/p>\n

 <\/p>\n

“Une \u00e9mission enregistr\u00e9e in situ au Th\u00e9\u00e2tre de la Temp\u00eate, dans la Cartoucherie du Bois de Vincennes (Paris), \u00e0 l’occasion d’une r\u00e9p\u00e9tition du spectacle Les Vagues.”<\/span><\/p>\n

Tous en sc\u00e8ne – Aur\u00e9lie Charon<\/span><\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/tous-en-scene\/des-marionnettes-de-glace-pour-les-vagues-de-virginia-woolf-2568538″ url_new_window=”on” button_text=”\u00c9COUTER” button_alignment=”right” _builder_version=”4.27.0″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”|2vh|||false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23.1″ custom_padding=”||0vh||false|false” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.25.2″ background_color=”rgba(255,255,255,0.9)” min_height=”193.4px” custom_margin=”||||false|false” custom_padding=”0px||1vh||false|false” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/09\/lhumanite-2.png” alt=”logo de l'humanit\u00e9 rouge et blanc” title_text=”l'humanite\u0301 2″ admin_label=”logo la provence” _builder_version=”4.27.0″ width=”17%” custom_margin=”7px|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.27.0″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” global_colors_info=”{}”]<\/p>\n

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\u00ab Les Vagues sont mise en avant d’\u00e9l\u00e9ments sensibles, comme les souvenirs et les sentiments qui, face au temps qui s’\u00e9coule in\u00e9luctablement, ne sont que des fragments d’humanit\u00e9 dans l’univers…” <\/span><\/p>\n

Par G\u00e9rard Rossi – l’Humanit\u00e9<\/span><\/p>\n

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<\/div>\n<\/div>\n<\/div>\n

 <\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/www.humanite.fr\/culture-et-savoir\/marionnettes\/les-vagues-une-adaptation-virevoltante-de-virginia-woolf-en-marionnettes-de-glace” url_new_window=”on” button_text=”Read the article” button_alignment=”right” _builder_version=”4.27.0″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”|2vh|||false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23.1″ custom_padding=”||0vh||false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/09\/les-trois-coups.png” alt=”Logo Les Echos” title_text=”les trois coups” _builder_version=”4.27.0″ width=”20%” custom_margin=”3px|||15px|false|false” mix_blend_mode=”multiply” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.27.0″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||0px||false|false” custom_padding=”|15px|0px|15px|false|false” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

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“De fa\u00e7on sensible, elle (Elise Vigneron) nous rappelle l’importance de vivre l’instant pr\u00e9sent, si d\u00e9risoire mais pr\u00e9cieux, et de rester attentifs \u00e0 la porosit\u00e9 entre les mondes. Cette \u00e9vovation de la disparition laissera des traces”<\/p>\n

L\u00e9na Martinelli – Les trois coups<\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/lestroiscoups.fr\/les-vagues-virginia-woolf-elise-vigneron-le-figuier-blanc-festival-theatral-du-val-doise-pivo-argenteuil\/” url_new_window=”on” button_text=”Read the article” button_alignment=”right” _builder_version=”4.27.0″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”0px|2vh|5px||false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.25.2″ background_color=”rgba(255,255,255,0.9)” min_height=”193.4px” custom_margin=”||||false|false” custom_padding=”0px||1vh||false|false” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/06\/1200px-Telerama_logo.png” alt=”Logo T\u00e9l\u00e9rama” title_text=”1200px-Te\u0301le\u0301rama_logo” admin_label=”logo la provence” _builder_version=”4.25.2″ width=”17%” custom_margin=”7px|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.27.0″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” global_colors_info=”{}”]<\/p>\n

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\"\"<\/a><\/span><\/p>\n

\u00ab L\u2019\u00e9tonnant travail d\u2019Elise Vigneron plonge les spectateurs dans le monde de la sensation comme de la contemplation ; avec elle, ils voyagent m\u00eame jusqu\u2019au fantastique, quand pl\u00e2nent dans les airs les poup\u00e9es de glace. \u00bb
<\/span>Par Fabienne Pascaud – T\u00e9l\u00e9rama<\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/06\/Article-Les-Vagues-Telerama-15-mai-2024.pdf” url_new_window=”on” button_text=”Read the article” button_alignment=”right” _builder_version=”4.27.0″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”|2vh|||false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23.1″ custom_padding=”||0vh||false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/06\/1200px-Les_echos_logo.svg_.png” alt=”Logo Les Echos” title_text=”1200px-Les_echos_(logo).svg” _builder_version=”4.25.2″ width=”20%” custom_margin=”3px|||15px|false|false” mix_blend_mode=”multiply” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.24.0″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||0px||false|false” custom_padding=”|15px||15px|false|false” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

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\u00ab La metteure en sc\u00e8ne, marionnettiste et plasticienne, fa\u00e7onne un spectacle pour choeur de glace en une exp\u00e9rience sensible du temps qui s’\u00e9coule, de l’enfance \u00e0 la maturit\u00e9… un pari r\u00e9ussi. <\/span>\u00bb
Par Callysta Croizer – Les Echos<\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/www.lesechos.fr\/weekend\/spectacles-musique\/vagues-de-glace-au-coeur-de-la-tempete-2095626″ url_new_window=”on” button_text=”Read the article” button_alignment=”right” _builder_version=”4.25.2″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”0px|2vh|5px||false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.25.2″ background_color=”rgba(255,255,255,0.9)” min_height=”193.4px” custom_margin=”||||false|false” custom_padding=”0px||1vh||false|false” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/04\/Le_monde_logo.svg” title_text=”Le_monde_logo” admin_label=”logo la provence” _builder_version=”4.25.2″ width=”17%” custom_margin=”7px|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”press l’Enfant” _builder_version=”4.24.0″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” global_colors_info=”{}”]<\/p>\n

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\u00ab […] Les Vagues est une cr\u00e9ation profond\u00e9ment originale qui impr\u00e8gne l\u2019esprit d\u2019images po\u00e9tiques (et aquatiques). Elles y restent grav\u00e9es bien longtemps apr\u00e8s la fin de la repr\u00e9sentation.\u00bb
<\/span>Par Cristina Marino – Le Monde<\/p>\n<\/blockquote>\n

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\u00ab Aux longs monologues originels, la mise en sc\u00e8ne favorise souvent le mouvement. Celui de ses marionnettes, qui sont envoy\u00e9es dans les airs [\u2026] Mais aussi celui de ceux qui en tirent les [\u2026] ficelles, qui saisissent les corps gel\u00e9s, les entra\u00eenent et dansent avec eux \u00bb
Par Lara Clerc – Lib\u00e9ration<\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/www.liberation.fr\/culture\/scenes\/les-vagues-sur-scene-virginia-woolf-au-fil-de-leau-20240521_QLAQTSTLYJFXXBJFSCEPYTNOKY\/” url_new_window=”on” button_text=”Read the article” button_alignment=”right” _builder_version=”4.27.0″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”0px|2vh|0px||false|false” custom_padding=”|||10px||” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.4″ background_color=”rgba(255,255,255,0.9)” custom_margin=”1vh||||false|false” custom_padding=”10px||0px||false|false” animation_direction=”bottom” border_width_top=”1px” border_style_top=”dotted” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” content_tablet=”<\/p>\n

L'Enfant (The Child)<\/h2>\n<\/p>\n

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L'Enfant (The Child)<\/h2>\n

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The compagny<\/h2>\n

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\u00ab Pour trois ans, la marionnettiste Elise Vigneron sera artiste associ\u00e9e au TCC – Th\u00e9\u00e2tre Ch\u00e2tillon-Clamart. Avec les spectacles Lands, habiter le monde<\/em> et Glace<\/em>, elle donne a d\u00e9couvrir en profondeur son travail singulier autour de la glace. \u00bb
Par Ana\u00efs Heluin<\/p>\n<\/blockquote>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” custom_margin=”1vh||||false|false” custom_padding=”10px||0px||false|false” animation_direction=”bottom” border_width_top=”1px” border_style_top=”dotted” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” content_tablet=”<\/p>\n

L'Enfant (The Child)<\/h2>\n<\/p>\n

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L'Enfant (The Child)<\/h2>\n

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L’Enfant (The Child)<\/h2>\n

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[\/et_pb_text][et_pb_button button_url=”https:\/\/lentrouvert.com\/lenfant\/attachment\/revue-de-presse-lenfant\/” url_new_window=”on” button_text=”Download the press review” _builder_version=”4.16″ custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”1px” button_font=”|||on|||||” button_icon=”||divi||400″ button_on_hover=”off” custom_margin=”|||15px|false|false” custom_padding=”|30px||10px|false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” custom_padding=”0px|||||” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/logo-la-provence.png” admin_label=”logo la provence” _builder_version=”4.23.1″ width=”17%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.16″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop”]<\/p>\n

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\u00ab Elise Vigneron signe sans doute l\u2019une des adaptations les plus libres et sensibles du texte de Maurice Maeterlinck, La Mort de Tintagiles<\/em> : elle offre une caisse de re\u0301sonance a\u0300 ses mots et son myste\u0300re, gra\u0302ce notamment a\u0300 l\u2019utilisation subtile de la marionnette dans le ro\u0302le de l\u2019Enfant (Tintagiles) personnage me\u0301taphorique, incarnation de la fragilite\u0301 et de la purete\u0301. \u00bb
Par Marie-Eve Barbier<\/p>\n<\/blockquote>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/toute-la-culture-logo-copie-2.png” _builder_version=”4.16″ width=”14%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.16″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”https:\/\/toutelaculture.com\/spectacles\/theatre\/fmtm-lenfant-elise-vigneron\/” link_option_url_new_window=”on” global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop”]<\/p>\n

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\u00ab C\u2019est une \u0153uvre puissamment po\u00e9tique, qui montre toute la ma\u00eetrise d\u2019Elise Vigneron et sa maturit\u00e9 artistique. Parce qu\u2019elle \u00e9meut puissamment, parce qu\u2019elle met dans l\u2019inconfort, parce qu\u2019elle d\u00e9concerte et provoque, c\u2019est une \u0153uvre dont on peut sans aucun doute dire qu\u2019elle est r\u00e9ussie. \u00bb
Par Mathieu Dochtermann<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” custom_padding=”0px|||||” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/iogazette-logo.png” _builder_version=”4.16″ width=”7%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.16″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”http:\/\/www.iogazette.fr\/critiques\/creations\/2019\/une-piece-sphinx\/” link_option_url_new_window=”on” global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop”]<\/p>\n

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\u00ab \u00ab L\u2019Enfant \u00bb fide\u0300le a\u0300 la tradition symboliste, nous fait vivre une expe\u0301rience plus sensorielle que dicible, l\u2019histoire d\u2019un combat et la tentative d\u2019un e\u0301chappe\u0301e restitue\u0301e par une sce\u0301nogrpaphie saisissante qui englobe le public en son sein. Ce the\u0301a\u0302tre a\u0300 la parole parfois hie\u0301roglyphique produit des images fortes, ou\u0300 le myste\u0300re a toute sa place. Un myste\u0300re pre\u0301cise\u0301ment porteur de sens, dont la forme se rapproche peut-e\u0302tre au plus pre\u0300s de ce qu\u2019on pourrait appeler le tissu diffus des sensations ; si diffciles a\u0300 nommer, dont la vision permet parfois mieux d\u2019en comprendre quelque chose. \u00bb
Par Noe\u0301mie Regnaut<\/p>\n<\/blockquote>\n

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\u00ab La metteuse en sc\u00e8ne a choisi de plonger le public dans un espace qu\u2019il devra traverser, \u00e0 l\u2019invitation de la com\u00e9dienne, comme pour mieux \u00e9prouver la peur, la menace, et partir, aussi, \u00e0 la recherche de l\u2019enfant. La force de l\u2019univers sc\u00e9nographique et sonore, ainsi que la po\u00e9sie de la relation entre les personnages d\u00e9cuplent l\u2019\u00e9motion. \u00bb
Par Nathalie Yokel<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” custom_margin=”1vh||||false|false” custom_padding=”10px||0px||false|false” animation_direction=”bottom” border_width_top=”1px” border_style_top=”dotted” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” content_tablet=”<\/p>\n

Anywhere<\/h2>\n

” content_phone=”<\/p>\n

Anywhere<\/h2>\n

” content_last_edited=”off|tablet” admin_label=”Grand titre Anywhere” _builder_version=”4.27.4″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Work Sans|200||on|||||” header_2_text_color=”#333333″ header_2_font_size=”55px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” hover_enabled=”0″ header_2_font_size_tablet=”” header_2_font_size_phone=”40px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Anywhere TRANSMISSION<\/h2>\n

[\/et_pb_text][et_pb_button url_new_window=”on” button_text=”Download the press review” _builder_version=”4.27.4″ custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”1px” button_font=”|||on|||||” button_icon=”||divi||400″ button_on_hover=”off” custom_margin=”|||15px|false|false” custom_padding=”|30px||10px|false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.27.4″ background_color=”rgba(255,255,255,0.9)” custom_padding=”8px||||false|false” animation_direction=”bottom” hover_enabled=”0″ global_colors_info=”{}” custom_margin=”0px||||false|false” sticky_enabled=”0″][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/11\/BroadwayWorld_logo.png” title_text=”BroadwayWorld_logo” admin_label=”logo la provence” _builder_version=”4.27.4″ width=”17%” custom_margin=”|||15px|false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.27.4″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/06\/NEW-YORK-TIMES-.jpg” hover_enabled=”0″ global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop” sticky_enabled=”0″]<\/p>\n

\n

\u00ab A marionette made of ice will melt your heart in this exquisite string-marionette work. This Oedipus is ephemeral, a fallen, frozen puppet that gradually melts, then appears as mist and finally disappears in the forest. This Oeadipus speaks cold truths about our bodies, our environment, our fragilities, and our wanderings in the infinite circle of renewal. \u00bb
Par Chloe Rabinowitz<\/p>\n<\/blockquote>\n

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[\/et_pb_text][et_pb_button button_url=”https:\/\/www.broadwayworld.com\/off-off-broadway\/article\/Chicago-International-Puppet-Theater-Festival-Thtre-De-LEntrouvert-to-Present-ANYWHERE-20250203″ url_new_window=”on” button_text=”Read the article” button_alignment=”right” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”0px|2vh|0px||false|false” custom_padding=”|||10px||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/11\/eye-on-dace.png” title_text=”eye on dace” admin_label=”logo la provence” _builder_version=”4.27.4″ width=”17%” custom_margin=”|||15px|false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.27.4″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/06\/NEW-YORK-TIMES-.jpg” hover_enabled=”0″ global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop” sticky_enabled=”0″]<\/p>\n

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\u00ab Positioned in the middle of a frozen pond, the two interact in a poetic space of psychic aura and musings about the fragile state of our ecology. The body and the universe are precariously positioned in this duet, dueling with the constancy of change, or transformation at HERE. \u00bb
Par Celia Ipiotis<\/p>\n<\/blockquote>\n

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\n

\u00ab A marionette made of ice plays a wandering, melting disappearing Oedipus accompanied by his daughter Antigone in this puppet piece by the French company Th\u00e9\u00e2tre de l’Entrouvert, which uses bits of text from Henry Bauchau’s nocel “Oedipus on the Road”. Conceived and directed by Elise Vigneron, whose interest in ephemerality has led her to work repeatedly with ice puppets, it is presented with the Chicago International Puppet Theater Festival as part of Basil Twist’s Dream Music Puppetry program.” \u00bb
Par Laura Collins-Hughes<\/p>\n<\/blockquote>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/11\/IMG_1111.jpg” title_text=”IMG_1111″ admin_label=”logo la provence” _builder_version=”4.27.4″ width=”17%” custom_margin=”|||15px|false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.27.4″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/06\/NEW-YORK-TIMES-.jpg” hover_enabled=”0″ global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop” sticky_enabled=”0″]<\/p>\n

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\u00ab At the end of everything thought, “Anywhere”<\/em> finds sophistication in its simplicity, a quiet, unsettling beauty about humanity’s unwavering ability to keep moving forward, one foot in front of the other, no matter how challenging the walk. \u00bb
Par Nathalie Rine<\/p>\n<\/blockquote>\n

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[\/et_pb_text][et_pb_button button_url=”https:\/\/www.onstageblog.com\/reviews\/2020\/3\/15\/new-york-review-here-presents-le-thtre-de-lentrouverts-anywhere” url_new_window=”on” button_text=”Read the article” button_alignment=”right” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”10px” button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_radius=”1px” button_font=”Mulish|600||on|||||” button_icon=”&||divi||400″ button_on_hover=”off” custom_margin=”0px|2vh|0px||false|false” custom_padding=”|||10px||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” custom_margin=”1vh||||false|false” custom_padding=”10px||0px||false|false” animation_direction=”bottom” border_width_top=”1px” border_style_top=”dotted” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” content_tablet=”<\/p>\n

Anywhere<\/h2>\n

” content_phone=”<\/p>\n

Anywhere<\/h2>\n

” content_last_edited=”off|tablet” admin_label=”Grand titre Anywhere” _builder_version=”4.23.1″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Work Sans|200||on|||||” header_2_text_color=”#333333″ header_2_font_size=”55px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” header_2_font_size_tablet=”” header_2_font_size_phone=”40px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Anywhere<\/h2>\n

[\/et_pb_text][et_pb_button button_url=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/03\/Revue-de-presse-ANYWHERE-mars-2025.pdf” url_new_window=”on” button_text=”Download the press review” _builder_version=”4.27.4″ custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”1px” button_font=”|||on|||||” button_icon=”||divi||400″ button_on_hover=”off” custom_margin=”|||15px|false|false” custom_padding=”|30px||10px|false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” custom_padding=”0px|||||” animation_direction=”bottom” link_option_url=”https:\/\/info.arte.tv\/fr\/les-marionnettes-de-glace” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/logo-arte02.png” _builder_version=”4.16″ width=”11%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”Presse Anywhere” _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#333333″ text_font_size=”16px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500|||||||” header_6_text_color=”#666666″ header_6_line_height=”1.6em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” global_colors_info=”{}” link_text_color__hover_enabled=”on|desktop” link_text_color__hover=”#195f66″]<\/p>\n

Les Marionnettes de Glace \/ TV report on the construction of the ice puppet.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/liberation-logo-1-300×134.png” _builder_version=”4.16″ width=”17%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”Presse Anywhere” _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#333333″ text_font_size=”16px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500|||||||” header_6_text_color=”#666666″ header_6_line_height=”1.6em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”https:\/\/next.liberation.fr\/theatre\/2016\/03\/28\/anywhere-le-complexe-glaciaire_1442114″ global_colors_info=”{}” link_text_color__hover_enabled=”on|desktop” link_text_color__hover=”#195f66″]<\/p>\n

” Anywhere “, le complexe glaciaire<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/Fichier-102.png” _builder_version=”4.16″ width=”11%” custom_margin=”30px|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”Presse Anywhere” _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#333333″ text_font_size=”16px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500|||||||” header_6_text_color=”#666666″ header_6_line_height=”1.6em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”https:\/\/www.franceculture.fr\/emissions\/les-carnets-de-la-creation\/elise-vigneron-metteur-en-scene” global_colors_info=”{}” link_text_color__hover_enabled=”on|desktop” link_text_color__hover=”#195f66″]<\/p>\n

Interview with \u00c9lise Vigneron in Les carnets de cr\u00e9ation by Aude Lavigne<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/theguardian-logo.png” _builder_version=”4.16″ width=”13%” custom_margin=”30px|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” admin_label=”Presse Anywhere” _builder_version=”4.21.0″ text_font=”||||||||” text_text_color=”#333333″ text_font_size=”16px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500|||||||” header_6_text_color=”#666666″ header_6_line_height=”1.6em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”https:\/\/www.theguardian.com\/stage\/gallery\/2019\/jan\/23\/oedipus-meltdown-ice-puppet-in-pictures-theatre-de-lentrouvert” global_colors_info=”{}” link_text_color__hover_enabled=”on|desktop” link_text_color__hover=”#195f66″]<\/p>\n

Oedipus’s meltdown: an ice puppet disappears – in pictures<\/p>\n

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\u00ab Ce spectacle fascine par sa lenteur et sa beaut\u00e9 envoutante, le jeu d\u00e9licat avec les mati\u00e8res et la p\u00e9nombre, sa force po\u00e9tique et cruelle. Du bel art ! \u00bb
Par Thierry voisin<\/p>\n<\/blockquote>\n

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\u00ab Anywhere<\/em> a l\u2019\u00e9l\u00e9gance et la pudeur d\u2019un ha\u00efku, ces po\u00e8mes courts et codifi\u00e9s issus du Japon, esquissant des paysages int\u00e9rieurs. Et comme laiss\u00e9s en suspens. [\u2026] Pour nous conduire dans les profondeurs de cette \u00ab marche du monde \u00bb, \u00c9lise Vigneron cr\u00e9e un univers \u00e9trange et feutr\u00e9 qui \u00e9conomise la lumi\u00e8re et les mots pour mieux mettre en valeur les \u00e9tapes de transformation de la mati\u00e8re eau. \u00bb
Par Isabelle Appy<\/p>\n<\/blockquote>\n

[\/et_pb_text][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/mouvement-logo.png” _builder_version=”4.16″ width=”17%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”Presse Anywhere” _builder_version=”4.16″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url=”http:\/\/www.mouvement.net\/analyses\/reportages\/dans-la-paume” link_option_url_new_window=”on” global_colors_info=”{}” link_text_color__hover_enabled=”on|desktop” link_text_color__hover=”#195f66″]<\/p>\n

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\u00ab Esquivant largement l’e\u0301cueil d’une e\u0301nie\u0300me re\u0301e\u0301criture du mythe, ANYWHERE ravit par la libre lecture qu’elle veille a\u0300 garantir. A\u0300 rebours de l’e\u0301poque, Anywhere ose une temporalite\u0301 autre et de\u0301fie l’urgence devenue ordinaire. \u00bb
Par Agn\u00e8s Doppf<\/p>\n<\/blockquote>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” custom_margin=”1vh||||false|false” custom_padding=”10px||0px||false|false” animation_direction=”bottom” border_width_top=”1px” border_style_top=”dotted” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” content_tablet=”<\/p>\n

travers\u00e9es<\/h2>\n

” content_phone=”<\/p>\n

travers\u00e9es<\/h2>\n

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travers\u00e9es<\/h2>\n

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Peu de spectacles m\u00e9ritent \u00e0 ce point d\u2019\u00eatre qualifi\u00e9s de po\u00e8me visuel. Une \u0153uvre subtile, sombre et magnifique, comme un tableau en clair-obscur peint par de La Tour qui prendrait vie sous les yeux du public.
Par Mathieu Dochtermann<\/p>\n<\/blockquote>\n

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Tour a\u0300 tour automate, vieille femme jouant Narcisse, utilisant sa silhouette pour danser avec l\u2019oubli, de\u0301licate et inquie\u0301tante, E\u0301lise Vigneron, diplo\u0302me\u0301e de l\u2019e\u0301cole des arts de la marionnette de Charleville-Me\u0301zie\u0300res, explore ces territoires fragiles avec un talent fou.
\n<\/em>By Delphine Michelangeli<\/p><\/blockquote>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/06\/double-magazine.jpg” title_text=”double-magazine” _builder_version=”4.16″ width=”14%” custom_margin=”|||15px|false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.16″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url_new_window=”on” global_colors_info=”{}”]<\/p>\n

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Des jeux d\u2019ombres dans un de\u0301cor poe\u0301tique d’une grande finesse propre au the\u0301a\u0302tre franc\u0327ais de l\u2019Entrouvert. Ici aussi on joue avec assurance, mais d\u2019une fac\u0327on silencieuse, tre\u0300s sensible. Un de\u0301chirement qui forme, a\u0300 travers de gracieuses et subtiles images, un paysage a\u0300 l’atmosphe\u0300re spirituelle.
By Heidi J\u00e4ger<\/p>\n<\/blockquote>\n

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Enveloppe\u0301s dans une belle lumie\u0300re, le public (debout, assis, a\u0300 genoux) et la jeune femme sur la sce\u0300ne affrontent en 7 stations leurs angoisses me\u0301taphysiques et recherchent avec pre\u0301caution leur moi.
By Muriel Camus<\/p>\n<\/blockquote>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” custom_margin=”1vh||||false|false” custom_padding=”10px||0px||false|false” animation_direction=”bottom” border_width_top=”1px” border_style_top=”dotted” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text quote_border_color=”rgba(102,102,102,0.58)” content_tablet=”<\/p>\n

AXIS MUNDI<\/h2>\n

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AXIS MUNDI<\/h2>\n

” content_last_edited=”off|tablet” admin_label=”travers\u00e9es Axis Mundi” _builder_version=”4.23.1″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Work Sans|200||on|||||” header_2_text_color=”#333333″ header_2_font_size=”55px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” header_2_font_size_tablet=”” header_2_font_size_phone=”40px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

AXIS MUNDI<\/h2>\n

[\/et_pb_text][et_pb_button button_url=”http:\/\/www.compagnieparterre.fr\/wordpress\/wp-content\/uploads\/AXM\/documentation\/axm_revue_de_presse_FR.pdf” url_new_window=”on” button_text=”Download the press review” _builder_version=”4.16″ custom_button=”on” button_text_size=”14px” button_border_width=”1px” button_border_radius=”1px” button_font=”|||on|||||” button_icon=”||divi||400″ button_on_hover=”off” custom_margin=”|||15px|false|false” custom_padding=”|30px||10px|false|false” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ background_color=”rgba(255,255,255,0.9)” custom_padding=”0px|||||” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/sceneweb-logo.png” _builder_version=”4.16″ width=”16%” custom_margin=”||0px|15px|false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.16″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url_new_window=”on” global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop”]<\/p>\n

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\u00ab Ici, [Elise Vigneron] imagine une sorte de rituel o\u00f9 la fonte de panneaux de glace impose aux deux artistes de ren\u00e9gocier sans cesse leur rapport au plateau. D\u2019inventer des mani\u00e8res toujours nouvelles de l\u2019occuper, de patauger ensemble. \u00bb
<\/em>Par Ana\u00efs Heluin<\/p>\n<\/blockquote>\n

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[\/et_pb_text][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/inferno.png” _builder_version=”4.16″ width=”16%” custom_margin=”||0px|15px|false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.16″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url_new_window=”on” global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop”]<\/p>\n

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Une tentative de rencontre l\u00e0 aussi concluante et r\u00e9ussie o\u00f9 l\u2019univers des deux artistes se sert mutuellement faisant jaillir un moment de po\u00e9sie pure que symbolisent les figurines translucides d\u2019Elise Vigneron.
<\/em>By Emanuel Serafini<\/em>
<\/em><\/strong><\/p>\n<\/blockquote>\n

<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/laterrasse-logo.png” _builder_version=”4.16″ width=”15%” custom_margin=”0px||0px|15px|false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.16″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url_new_window=”on” global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop”]<\/p>\n

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On ne pouvait pas esp\u00e9rer mieux comme v\u00e9ritable rencontre entre deux femmes qui ne se connaissaient pas : breakeuse et chor\u00e9graphe exigeante, Anne Nguyen a trouv\u00e9 chez Elise la m\u00eame rigueur, mais aussi une \u00e9criture visuelle prompte \u00e0 troubler le regard sur les corps.
By Nathalie Yokel
<\/strong><\/p>\n

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[\/et_pb_text][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2020\/03\/toute-la-culture-logo-copie-2.png” _builder_version=”4.16″ width=”15%” custom_margin=”||0px|15px|false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text quote_border_color=”#333333″ admin_label=”press l’Enfant” _builder_version=”4.16″ text_font_size=”13px” link_font=”||||||||” link_line_height=”1.4em” quote_text_color=”#333333″ quote_font_size=”15px” quote_line_height=”1.4em” header_font=”|100|||||||” header_2_font=”Muli|200||on|||||” header_2_text_color=”#666666″ header_2_font_size=”65px” header_2_letter_spacing=”1px” header_3_font=”Muli|300|||||||” header_3_text_color=”#666666″ header_3_font_size=”21px” header_4_font=”|700||on|on||||” header_4_text_color=”#666666″ header_4_font_size=”13px” header_5_font=”||on||||||” header_5_text_color=”#666666″ header_5_font_size=”21px” header_5_line_height=”1.2em” header_6_font=”|500||on|on||||” header_6_font_size=”13px” header_6_line_height=”1.4em” background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_margin=”||||false|false” custom_padding=”|15px||15px|false|false” link_option_url_new_window=”on” locked=”off” global_colors_info=”{}” link_text_color__hover=”#195f66″ link_text_color__hover_enabled=”on|desktop”]<\/p>\n

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Sur une base de techno sign\u00e9e Tom Flynn le duo se manipule l\u2019une l\u2019autre. Anne tient des postures hip-hop invers\u00e9es et Elise lui embo\u00eete le pas. C\u2019est vraiment cela, embo\u00eeter le pas. L\u2019une est le moteur de l\u2019autre. Elles doivent lutter contre les \u00e9l\u00e9ments. Le rythme est fou dans ce questionnement tr\u00e8s actuel sur l\u2019\u00e9quilibre des choses. Et, mais cela doit rester secret, la fin est un petit bijou !
By Am\u00e9lie Blaustein Niddam<\/p>\n<\/blockquote>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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