{"id":7798,"date":"2020-06-16T09:04:27","date_gmt":"2020-06-16T08:04:27","guid":{"rendered":"https:\/\/lentrouvert.com\/lands\/"},"modified":"2026-01-08T15:53:03","modified_gmt":"2026-01-08T14:53:03","slug":"traces","status":"publish","type":"page","link":"https:\/\/lentrouvert.com\/en\/traces\/","title":{"rendered":"TRACES"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.27.5″ background_color=”#003E3F” background_image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2023\/09\/fond-LANDS-Christophe-Loiseau.jpg” parallax=”on” parallax_method=”off” custom_margin=”0px||||false|false” custom_padding=”50vh|||15vw|false|false” custom_padding_tablet=”47vh|||5vw|false|false” custom_padding_phone=”5vh|||0vw|false|false” background_color_tablet=”#003E3F” background_last_edited=”on|desktop” background_enable_color_tablet=”on” background_image_tablet=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/01\/LANDS_munich_\u00a9Christophe-Loiseau-19-1024×768.jpg” background_enable_image_tablet=”on” background_enable_image_phone=”off” parallax_tablet=”off” background_size_tablet=”custom” background_image_width_tablet=”100vw” background_position_tablet=”top_center” locked=”off” global_colors_info=”{}” alt_tablet=”Lands” title_text_tablet=”Lands”][et_pb_row disabled_on=”off|on|on” _builder_version=”4.27.5″ _module_preset=”default” width=”100%” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2023\/09\/fond-LANDS-Christophe-Loiseau.jpg” alt=”Lands Cie l'Entrouvert” title_text=”Lands Munich” force_fullwidth=”on” _builder_version=”4.27.5″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=”off|desktop” admin_label=”description” module_id=”content” _builder_version=”4.27.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”60%” width_tablet=”90%” width_phone=”85vw” width_last_edited=”on|tablet” module_alignment=”left” custom_margin_tablet=”100px|||50px|false|false” custom_margin_phone=”20px|||25px|false|false” custom_margin_last_edited=”off|desktop” custom_padding=”0px||0px||false|false” animation_direction=”bottom” module_alignment_tablet=”left” module_alignment_phone=”center” module_alignment_last_edited=”on|phone” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ background_enable_color=”off” border_radii=”off||10px||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_icon font_icon=”"||divi||400″ icon_color=”#FFFFFF” icon_width=”56px” url=”#content” align=”left” _builder_version=”4.21.0″ _module_preset=”default” locked=”off” global_colors_info=”{}”][\/et_pb_icon][et_pb_text content_tablet=”<\/p>\n

TRACES<\/h1>\n

Collaborative performance realized with the people living in a territory<\/h2>\n

” content_phone=”<\/p>\n

TRACES<\/h1>\n

Collaborative performance realized with the people living in a territory<\/h2>\n

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TRACES<\/h1>\n

Collaborative performance realized with the people living in a territory<\/h2>\n

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Created in may 2022<\/h4>\n

All public<\/h5>\n

%22Lands%22 represents a human community, through the image of a choir made of ice feet.<\/h2>\n

This creation features about thirty participants of all ages representing a human community, like a choir composed of ice feet. A plastic and choreographic project that connects us and makes us sensitive to the world we live in.<\/p>\n

Through an ephemeral and collective performance conceived for the public space, the visual artist and director \u00c9lise Vigneron questions the ecological stakes and the traces left by Man after his passage. About forty participants of all ages, whose feet were cast in ice by the artist, are the actors of this choreographed installation. The singularity of each one, the bodies and the individual stories, then form a chorus and find together a collective identity. The ice is here the mirror of the fragility of the world and its transformation into water, the story of the ephemeral. A poetic and sound moment to see with your family!<\/p>\n

” content_phone=”<\/p>\n

Created in may 2022<\/h4>\n

All public<\/h5>\n

%22Lands%22 represents a human community, through the image of a choir made of ice feet.<\/h2>\n

This creation features about thirty participants of all ages representing a human community, like a choir composed of ice feet. A plastic and choreographic project that connects us and makes us sensitive to the world we live in.<\/p>\n

Through an ephemeral and collective performance conceived for the public space, the visual artist and director \u00c9lise Vigneron questions the ecological stakes and the traces left by Man after his passage. About forty participants of all ages, whose feet were cast in ice by the artist, are the actors of this choreographed installation. The singularity of each one, the bodies and the individual stories, then form a chorus and find together a collective identity. The ice is here the mirror of the fragility of the world and its transformation into water, the story of the ephemeral. A poetic and sound moment to see with your family!<\/p>\n

” content_last_edited=”off|desktop” admin_label=”Text” _builder_version=”4.27.4″ text_font=”||||||||” text_text_color=”#666666″ text_font_size=”16px” text_line_height=”1.6em” quote_text_color=”#666666″ header_font=”|100|||||||” header_line_height=”1.1em” header_2_font=”|300||||||#f2e200|” header_2_font_size=”23px” header_3_font=”|300|||||||” header_3_font_size=”21px” header_3_line_height=”1.2em” header_4_font=”|||on|||||” header_4_font_size=”15px” header_4_line_height=”1.3em” header_5_font=”||||||||” header_5_font_size=”13px” header_5_line_height=”1.6em” header_6_font=”|500|||||||” header_6_text_color=”#666666″ header_6_font_size=”13px” header_6_line_height=”1.3em” background_color=”rgba(255,255,255,0.9)” background_size=”initial” background_position=”top_left” background_repeat=”repeat” width_phone=”90vw” width_last_edited=”off|desktop” custom_margin=”15px||||false|false” custom_margin_tablet=”||15px||false|false” custom_margin_phone=”15px||||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”15px|15px|15px|15px|true|false” custom_padding_tablet=”” custom_padding_phone=”|30px||15px|true|false” custom_padding_last_edited=”on|phone” header_font_tablet=”” header_font_phone=”” header_font_last_edited=”on|phone” header_2_font_tablet=”” header_2_font_phone=”” header_2_font_last_edited=”on|desktop” border_radii_tablet=”” border_radii_phone=”” border_radii_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

CREATION may 2022 \u2013 revival: September 2025 for the United States<\/h4>\n

All audiences
Duration 45 minutes<\/h5>\n

This creation features about thirty participants of all ages representing a human community, like a choir composed of ice feet.<\/h2>\n

A plastic and choreographic project that connects us and makes us sensitive to the world we live in.<\/p>\n

Through an ephemeral and collective performance conceived for the public space, the puppeteer \u00c9lise Vigneron in collaboration with the circus artist Eleonora Gimenez question the ecological stakes and the traces left by Man after his passage. The participants, whose feet were cast in ice by the artistic team, are the actors of this choreographed installation. The uniqueness of each individual, their bodies and personal stories, then form a chorus and together find a collective identity. The ice is here the mirror of the fragility of the world and its transformation into water, the story of the ephemeral. <\/p>\n

[\/et_pb_text][et_pb_toggle title=”Cast” open_toggle_text_color=”#333333″ open_toggle_background_color=”rgba(255,255,255,0.9)” closed_toggle_text_color=”#333333″ closed_toggle_background_color=”rgba(255,255,255,0.9)” icon_color=”#333333″ admin_label=”distribution” _builder_version=”4.24.0″ title_text_color=”#333333″ title_level=”h3″ body_text_color=”#333333″ body_font_size=”14px” body_line_height=”1.6em” width_phone=”85vw” width_last_edited=”off|tablet” custom_margin=”10px|||0px|false|false” custom_margin_last_edited=”off|tablet” custom_padding=”3px|15px|3px|17px|false|false” custom_padding_tablet=”” custom_padding_phone=”|30px||15px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Conception Elise Vigneron
<\/strong>Staging Eleonora Gimenez<\/strong> and \u00c9lise Vigneron
<\/strong>Sound creation G\u00e9raldine Foucault
<\/strong>Sound editing of voices G\u00e9raldine Foucault<\/strong> or Gwennaelle Roulleau
<\/strong>Moldings Alma Roccella<\/strong> and\/or Elise Vigneron<\/strong> in collaboration with Eleonora Gimenez<\/strong> or S\u00e9bastien Lauro Lillo
<\/strong>Workshops Eleonora Gimenez<\/strong> and Elise Vigneron<\/strong> or S\u00e9bastien Lauro Lillo
<\/strong>Work on the ice and stage management Alma Roccella
<\/strong>Sound engineer Corentin Abeille<\/strong> or Eric Petit
<\/strong>Photographic installation Christophe Loiseau
<\/strong>Coordination S\u00e9bastien Lauro Lillo<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=”Production supports” open_toggle_text_color=”#333333″ open_toggle_background_color=”rgba(255,255,255,0.9)” closed_toggle_text_color=”#333333″ closed_toggle_background_color=”rgba(255,255,255,0.9)” icon_color=”#333333″ admin_label=”Production & soutiens” _builder_version=”4.21.0″ title_text_color=”#333333″ title_level=”h3″ body_text_color=”#333333″ body_font_size=”14px” body_line_height=”1.6em” width_last_edited=”off|tablet” custom_margin=”2px|||0px|false|false” custom_padding=”3px|15px|3px|17px|false|false” custom_padding_tablet=”” custom_padding_phone=”|30px||15px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Production<\/strong> Th\u00e9\u00e2tre de l’Entrouvert
Coproduction <\/strong> Th\u00e9\u00e2tre La Passerelle, Sc\u00e8ne nationale de Gap et des Alpes du Sud (05) ; Th\u00e9\u00e2tre du Bois de l\u2019Aune \u00e0 Aix-en-Provence (13) ; Le Citron Jaune, Centre National des Arts de la Rue et de l\u2019Espace Public, Port-Saint-Louis-du-Rh\u00f4ne (13) ; Centre culturel Ath\u00e9na, Auray (56).
Support <\/strong> GMEM, Centre National de Cr\u00e9ation Musicale, Marseille (13) ; R\u00e9gion Sud ; Ville d’Apt (84) ; Agence nationale pour la coh\u00e9sion des territoires ; SPEDIDAM.<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=”download files” open_toggle_background_color=”rgba(255,255,255,0.9)” closed_toggle_background_color=”rgba(255,255,255,0.9)” icon_color=”#333333″ admin_label=”t\u00e9l\u00e9chargement” _builder_version=”4.27.5″ title_level=”h3″ body_font_size=”14px” body_line_height=”1.6em” width_phone=”85vw” width_last_edited=”off|tablet” custom_margin=”2px|||0px|false|false” custom_margin_last_edited=”off|tablet” custom_padding_phone=”|30px||15px|false|false” custom_padding_last_edited=”off|tablet” global_colors_info=”{}”]<\/p>\n

Artistic fileTRACES<\/a><\/p>\n

Tehnical sheet TRACES<\/a><\/p>\n

[\/et_pb_toggle][et_pb_toggle title=”presse” open_toggle_background_color=”rgba(255,255,255,0.9)” closed_toggle_background_color=”rgba(255,255,255,0.9)” icon_color=”#333333″ admin_label=”t\u00e9l\u00e9chargement” _builder_version=”4.27.5″ title_level=”h3″ body_font_size=”14px” body_line_height=”1.6em” width_phone=”85vw” width_last_edited=”off|tablet” custom_margin=”2px|||0px|false|false” custom_margin_last_edited=”off|tablet” custom_padding_phone=”|30px||15px|false|false” custom_padding_last_edited=”off|tablet” global_colors_info=”{}”]<\/p>\n

Press<\/a><\/a><\/p>\n

[\/et_pb_toggle][et_pb_gallery gallery_ids=”15813,12876,15811,15272,12874,11379,12878,15268,15820,11383,15270,15807,15801,15805,15822″ fullwidth=”on” _builder_version=”4.27.4″ background_layout=”dark” width=”100%” width_tablet=”75%” width_phone=”100%” width_last_edited=”off|tablet” custom_margin=”||12px|0px|false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”11px|0px||0px|false|false” border_radii=”on|1px|1px|1px|1px” border_radii_tablet=”” border_radii_phone=”” border_radii_last_edited=”on|phone” global_colors_info=”{}” width__hover_enabled=”off|desktop”][\/et_pb_gallery][et_pb_slider use_bg_overlay=”off” use_text_overlay=”off” arrows_custom_color=”#003E3F” dot_nav_custom_color=”#003E3F” _builder_version=”4.27.5″ _module_preset=”default” header_font=”–et_global_body_font||||||||” header_text_color=”#003E3F” header_font_size=”18px” header_line_height=”1.4em” body_font=”–et_global_body_font||||||||” body_text_align=”left” body_text_color=”#003E3F” body_line_height=”1.5em” background_color=”rgba(255,255,255,0.83)” custom_button=”on” button_text_size=”15px” button_text_color=”#003E3F” button_border_width=”1px” button_font=”–et_global_body_font||||||||” button_icon=”&||divi||400″ button_on_hover=”off” button_alignment=”right” text_orientation=”left” module_alignment=”center” custom_padding=”0px|0px|30px|0px|false|false” custom_padding_tablet=”0px|0px|30px|0px|false|false” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” auto=”on” hover_transition_duration=”200ms” hover_enabled=”0″ global_colors_info=”{}” locked=”off” sticky_enabled=”0″][et_pb_slide heading=”nysmusic.com” button_text=”nysmusic.com” button_link=”<!–[CDATA[https:\/\/nysmusic.com\/author\/sophiaarredondo\/]]–>” url_new_window=”on” image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/10\/logo-NYS-music.jpg” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.27.5″ _module_preset=”default” background_color=”rgba(255,255,255,0.82)” background_enable_color=”on” text_orientation=”left” background_layout=”light” hover_enabled=”0″ custom_css_slide_image=”width:30%;” global_colors_info=”{}” sticky_transition=”on” locked=”off” alt=”logo – NYS music” title_text=”logo – NYS music” sticky_enabled=”0″]<\/p>\n

\u201c<\/em>TRACES blends sculpture, sound, and movement to tell a unique story of the beauty and pain in our individual journeys and collective humanity. In <\/em>TRACES, Vigneron will bring a poetic sensibility to the interdependence of humans with one another and the environment.\u201d<\/em>
Par Sophia Arredondo<\/p>\n

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\u201cLike a chorus blending their voices with casts of their feet, the participants reveal their singular relationship to the world within the now-pressing context of the ecological crisis.\u201d<\/em><\/p>\n

Thierry Voisin \u2013 Telerama<\/p>\n

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Created in may 2022<\/h4>\n
All public<\/h5>\n

%22Lands%22 represents a human community, through the image of a choir made of ice feet.<\/h2>\n

This creation brings together 30 to 60 participants of all ages: adults, children, seniors to deal with individual, collective and global identity.<\/p>\n

The tremors and fragility of the world are now palpable, the catastrophe is no longer a phantasmagorical horizon but a threat at hand. What if this feeling of precariousness, making us more vulnerable, led us to maintain a relationship of reciprocity with our environment?<\/p>\n

The ice is the mirror of this fragility, its transformation into water shows us the organic links between man and nature. This choir of ice feet becomes an expanse of water where colors intermingle to reflect the image of our planet.<\/p>\n

By placing the human being at the heart of a cyclical time, this project responds to the current need to %22re-animate%22 our relationship with the world.<\/p>\n

” content_phone=”<\/p>\n

Created in may 2022<\/h4>\n

All public<\/h5>\n

%22Lands%22 represents a human community, through the image of a choir made of ice feet.<\/h2>\n

This creation brings together 30 to 60 participants of all ages: adults, children, seniors to deal with individual, collective and global identity.<\/p>\n

The tremors and fragility of the world are now palpable, the catastrophe is no longer a phantasmagorical horizon but a threat at hand. What if this feeling of precariousness, making us more vulnerable, led us to maintain a relationship of reciprocity with our environment?<\/p>\n

The ice is the mirror of this fragility, its transformation into water shows us the organic links between man and nature. This choir of ice feet becomes an expanse of water where colors intermingle to reflect the image of our planet.<\/p>\n

By placing the human being at the heart of a cyclical time, this project responds to the current need to %22re-animate%22 our relationship with the world.<\/p>\n

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Photographic installation by Christophe Loiseau<\/h2>\n

In photography, I like above all the devices allowing the shifts. Those who intertwine reality and fiction, natural and artificial lights. I situate myself at the place of this separation, transformed by the staging of the space that composes it and the events that take place there. When everything is in place, there is always a moment when this little galaxy that we have organized liquefies to leave all its place to the unexpected. – Christophe Loiseau<\/p>\n

The photographic project carried out with Christophe Loiseau is presented in the form of situations of the participants with their feet of ice, collective and individual portraits, putting in play our human existence with the ephemeral character of the ice, materialized by the various states of fusion. These portraits give rise to a specific installation, they are the trace of this common artistic adventure.<\/p>\n

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