{"id":9361,"date":"2021-06-21T14:29:24","date_gmt":"2021-06-21T13:29:24","guid":{"rendered":"https:\/\/lentrouvert.com\/?page_id=9361"},"modified":"2026-03-27T11:25:52","modified_gmt":"2026-03-27T10:25:52","slug":"les-vagues","status":"publish","type":"page","link":"https:\/\/lentrouvert.com\/en\/les-vagues\/","title":{"rendered":"Les Vagues"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|tablet” admin_label=”section” _builder_version=”4.27.5″ background_color=”#003E3F” background_image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/11\/LesVagues_TheatredelEntrouvert\u00a9Clement-Herbaux.jpg” parallax=”on” parallax_method=”off” custom_margin=”0px||||false|false” custom_padding=”45vh|||10vw|false|false” custom_padding_tablet=”35vh||||false|false” custom_padding_phone=”5vh|||0px|false|false” background_color_tablet=”#003E3F” background_color_phone=”#003E3F” background_last_edited=”on|phone” background_enable_color_tablet=”on” background_enable_color_phone=”on” background_image_tablet=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/11\/LesVagues_TheatredelEntrouvert\u00a9Clement-Herbaux-1024×576.jpg” background_enable_image_tablet=”on” background_enable_image_phone=”off” parallax_tablet=”off” background_size_tablet=”custom” background_size_phone=”cover” background_image_width_tablet=”100vw” background_image_width_phone=”0vw” background_position_tablet=”top_center” locked=”off” global_colors_info=”{}” alt_tablet=”Lands” title_text_tablet=”Lands”][et_pb_row disabled_on=”off|on|on” _builder_version=”4.27.5″ _module_preset=”default” width=”100%” module_alignment=”left” overflow-x=”hidden” overflow-y=”hidden” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.5″ _module_preset=”default” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_image src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2025\/11\/LesVagues_TheatredelEntrouvert\u00a9Clement-Herbaux-1024×576.jpg” title_text=”LesVagues_TheatredelEntrouvert\u00a9Cle\u0301ment Herbaux” align=”center” disabled_on=”off|on|on” _builder_version=”4.27.5″ _module_preset=”default” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” custom_padding_last_edited=”off|desktop” admin_label=”description” _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”60%” width_tablet=”90%” width_phone=”85vw” width_last_edited=”on|phone” module_alignment=”left” custom_margin=”||0px||false|false” custom_margin_tablet=”100px|||50px|false|false” custom_margin_phone=”20px|||25px|false|false” custom_margin_last_edited=”off|desktop” custom_padding=”0px||0px||false|false” animation_direction=”bottom” module_alignment_tablet=”center” module_alignment_phone=”center” module_alignment_last_edited=”on|tablet” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ background_enable_color=”off” border_radii=”off||10px||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_icon font_icon=”"||divi||400″ icon_color=”#FFFFFF” icon_width=”56px” url=”#content” align=”left” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_icon][et_pb_text content_tablet=”<\/p>\n

Les Vagues<\/h1>\n

Show for ice choir<\/h3>\n

” content_phone=”<\/p>\n

Les Vagues<\/h1>\n

Show for ice choir<\/h3>\n

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Les Vagues<\/h1>\n

Show for ice choir<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” admin_label=”description” module_id=”content” _builder_version=”4.27.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”60%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|phone” module_alignment=”left” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” animation_direction=”bottom” module_alignment_tablet=”left” module_alignment_phone=”center” module_alignment_last_edited=”on|tablet” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.21.0″ background_enable_color=”off” custom_padding=”0px||||false|false” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_video src=”https:\/\/vimeo.com\/theatredelentrouvert\/teaserlesvagues?share=copy” image_src=”\/\/i.vimeocdn.com\/video\/1806604933-bdcaa71d1526d7ae30bb79eed233b2795dffa4913fca2db3bdf7b4f0ad8a3ee8-d_960″ _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text quote_border_color=”rgba(102,102,102,0.5)” content_tablet=”<\/p>\n

CREATION IN OCTOBER 2023<\/h4>\n

A metaphor for time, the wave is both the image of permanent flow and the symbol of impermanence.<\/h2>\n
\n
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In The Waves, Virginia Woolf sketches the individual journeys of her characters at each stage of their lives, layered over the atmospheric variations of a seascape described over the course of a single day.
By materializing these identities as figures made of ice\u2014time-beings that merge within the wave\u2019s flow\u2014I explore the phenomenon of metamorphosis on individual, collective, and cosmic scales.<\/div>\n<\/div>\n<\/div>\n

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CREATION IN OCTOBER 2023<\/h4>\n

A metaphor for time, the wave is both the image of permanent flow and the symbol of impermanence.<\/h2>\n
\n
\n
In The Waves, Virginia Woolf sketches the individual journeys of her characters at each stage of their lives, layered over the atmospheric variations of a seascape described over the course of a single day.
By materializing these identities as figures made of ice\u2014time-beings that merge within the wave\u2019s flow\u2014I explore the phenomenon of metamorphosis on individual, collective, and cosmic scales.<\/div>\n<\/div>\n<\/div>\n

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CREATION IN OCTOBER 2023<\/h4>\n

A metaphor for time, the wave is both the image of permanent flow and the symbol of impermanence.<\/h2>\n
\n
\n
\n

On stage, life-sized ice puppets are slowly transformed by time. Through their disappearance, Virginia Woolf\u2019s prose poem unfolds, tracing the paths of characters from childhood to old age, against the shifting moods of a seascape. A poetic ice chorus celebrating the beauty of impermanence and the universal metamorphosis as individual, collective, and planetary.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_toggle title=”Cast” open_toggle_text_color=”#333333″ open_toggle_background_color=”rgba(255,255,255,0.9)” closed_toggle_text_color=”#333333″ closed_toggle_background_color=”rgba(255,255,255,0.89)” icon_color=”#333333″ admin_label=”distribution” _builder_version=”4.27.5″ title_text_color=”#333333″ title_level=”h3″ body_font_size=”14px” body_line_height=”1.6em” width_last_edited=”off|phone” custom_padding=”3px|15px|3px|17px|false|false” custom_padding_tablet=”” custom_padding_phone=”|30px||15px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Based on The Waves<\/em> by Virginia Woolf<\/strong>, first published in 1931, in the 2020 French translation by C\u00e9cile Wajsbrot<\/strong> (\u00c9ditions Le Bruit du Temps, Broch\u00e9).
<\/strong><\/strong><\/p>\n

Artistic direction and set design \u00c9lise Vigneron
<\/strong>With the performers Chlo\u00e9e Sanchez,<\/strong> Zo\u00e9 Lizot (alternating with <\/span>Kristina Dementeva<\/b>)<\/span>, Lo\u00efc Carcass\u00e8s, Thomas Cordeiro, Azusa Takeuchi <\/strong> (alternating with<\/strong> Yumi Osanai<\/strong>)
Stage manipulator Vincent Debuire <\/strong>
<\/strong><\/strong>Dramaturgy and adpatation Marion Stoufflet<\/strong>
Acting direction St\u00e9phanie Farison
<\/strong>External eye Sarah Lascar<\/strong>
<\/strong><\/strong>Sound design G\u00e9raldine Foucault<\/strong> and Thibault Perriard
<\/strong>External ear Pascal Charrier
<\/strong>Lighting design C\u00e9sar Godefroy
<\/strong>Assistant directors Maxime Contrepois and Sayeh Sirvani
<\/strong>General and stage manager Max Potiron<\/strong>
<\/strong><\/strong>Sound operator G\u00e9raldine Foucault Voglimacci <\/strong>or Alice Le Moigne
<\/strong>Lighting operator C\u00e9sar Godefroy, Tatiana Carret or Aur\u00e9lien Beylier
<\/strong>Technical Assistant Fiona Massaferro
<\/strong><\/strong>Puppet construction Arnaud Louski-Pane <\/strong>assisted by Vincent Debuire, Alma Roccella <\/strong>and Ninon Larroque
<\/strong><\/strong><\/strong>Manufacture of ice puppets Vincent Debuire <\/strong>or Louna Roizes
<\/strong>Construction of animated objects Vincent Debuire<\/strong> and E\u0301lise Vigneron
<\/strong>Set construction and design Vincent Gadras<\/strong>
<\/strong>Costumes Juliette Coulon
<\/strong>Puppet costumes Maya-Lune Thie\u0301blemont\u00a0
<\/strong><\/strong>Recorded voices childhood Ad\u00e8le<\/strong>, Ka\u00ef<\/strong>, Jade<\/strong>, Jack<\/strong>, Harper<\/strong>, Lou<\/strong>, Ariane<\/strong> & Oscar<\/strong> from the international school Jacques Chirac<\/strong> in Marseille
Voices over adults Pearl Manifold<\/strong>, Tom Neal<\/strong>, Hitomi Takeda<\/strong> and Sophie Cattani
<\/strong>Voices over senior William Rae Smith <\/strong>and Jean Leyris
<\/strong>
<\/strong>Administration & development Lucie Julien <\/strong>and Roberta Giulio<\/strong>
Production & Diffusion Lola Goret<\/strong><\/strong>
Acknowledgments to Laura Chemla, Perle Duvignacq, Helo\u00efse Marsal, Cyril Cottet, Jan Erik Skarby, Tim Pieter Lucassen, Louna Roizes, Jeanne Bruc, Margaux Sahut, Lena Sipili, G\u00e9rard Vivien, Sayeh Sirvani, Solveig de Reydet de Vulpilli\u00e8res, Line Ramel, Jean Yves Courcoux, Fanny Soriano, Pierre-Damien Cresson <\/strong>and\u00a0Erwan Keravec.<\/strong><\/p>\n

[\/et_pb_toggle][et_pb_toggle title=”Production supports” open_toggle_text_color=”#333333″ open_toggle_background_color=”rgba(255,255,255,0.9)” closed_toggle_text_color=”#333333″ closed_toggle_background_color=”rgba(255,255,255,0.89)” icon_color=”#333333″ admin_label=”Production & soutiens” _builder_version=”4.27.5″ title_text_color=”#333333″ title_level=”h3″ body_font_size=”14px” body_line_height=”1.6em” width_last_edited=”off|phone” custom_margin=”1px|||0px|false|false” custom_padding=”3px|15px|3px|17px|false|false” custom_padding_tablet=”” custom_padding_phone=”|30px||15px|false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Production Th\u00e9\u00e2tre de l’Entrouvert
<\/strong><\/p>\n

Co-production
<\/strong>Les Th\u00e9\u00e2tres – Aix-en-Provence et Marseille (13) \/ La Com\u00eate, sc\u00e8ne nationale de Ch\u00e2lons en Champagne (51) \/ P\u00f4le Arts de la Sc\u00e8ne – Friche la belle de mai – Marseille (13)\/ Th\u00e9\u00e2tre de Ch\u00e2tillon (92) \/ Le Man\u00e8ge, sc\u00e8ne nationale – Reims (51)\/ Nordland Visual Theatre – Iles Lofoten – Norv\u00e8ge \/ Th\u00e9\u00e2tre Joliette sc\u00e8ne conventionn\u00e9e art et cr\u00e9ation expressions et \u00e9critures contemporaines de Marseille (13) \/ R\u00e9seau Traverses, Aix-en-Provence (13) \/ L\u2019Espace J\u00e9liote, centre national de la marionnette – Oloron-Sainte-Marie (64) \/ Le Crat\u00e8re, sc\u00e8ne nationale – Al\u00e8s (30)\/ La Halle aux grains, sc\u00e8ne nationale – Blois (41) \/ Th\u00e9\u00e2tre National de Nice (06) \/ FACM – PIVO, sc\u00e8ne conventionn\u00e9e \u00abart en territoire\u00bb – Eaubonne (95) \/ Le Th\u00e9\u00e2tre \u00e0 la Coque, centre national de la marionnette – Hennebont (56) \/ L\u2019 Odyss\u00e9e, sc\u00e8ne conventionn\u00e9e – P\u00e9rigueux (24) \/ Th\u00e9\u00e2tre du Bois de l\u2019Aune – Aix-en-Provence (13) \/ La Garance, sc\u00e8ne nationale – Cavaillon (84)<\/p>\n

Supports<\/strong>
DGCA Minist\u00e8re de la Culture \/ DRAC Provence Alpes C\u00f4te d\u2019Azur \/ R\u00e9gion Sud \/ Conseil d\u00e9partemental de Vaucluse \/ Ville d\u2019Apt \/ ADAMI \/ SPEDIDAM \/ Espace P\u00e9riph\u00e9rique – Paris, La Villette (75) \/ Le Tas de Sable – Ches panses vertes, centre national de la Marionnette Rivery (80) \/ Th\u00e9\u00e2tre des Quatre Saisons, sc\u00e8ne conventionn\u00e9e d\u2019int\u00e9r\u00eat national \u00abArt et cr\u00e9ation\u00bb \u2013 Gradignan (33) \/ Institut International de la Marionnette, Charleville-M\u00e9zi\u00e8res (08) \/ Centre Dramatique des Villages du Haut Vaucluse, sc\u00e8ne conventionn\u00e9e – Valr\u00e9as (84) \/ Th\u00e9\u00e2tre La Passerelle, sc\u00e8ne nationale – Gap et Alpes du Sud (05) \/ V\u00e9lo Th\u00e9\u00e2tre, ann\u00e9es n+1 \u2013 sc\u00e8ne conventionn\u00e9e pour le th\u00e9\u00e2tre d\u2019objet et le croisement des arts et sciences \u00e0 Apt (84)<\/p>\n

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Artistic file Les Vagues<\/a><\/a><\/p>\n

Technical sheet Les Vagues<\/a><\/p>\n

[\/et_pb_toggle][et_pb_gallery gallery_ids=”12999,13017,13007,12991,12993,12995,13001,13003,13009,13011,13013,13015,12987,12989,12997,13005″ fullwidth=”on” _builder_version=”4.23.4″ background_layout=”dark” width=”100%” width_tablet=”75%” width_phone=”100%” width_last_edited=”on|phone” custom_margin=”||12px|0px|false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”11px|0px||0px|false|false” border_radii=”on|1px|1px|1px|1px” border_radii_tablet=”” border_radii_phone=”” border_radii_last_edited=”on|phone” global_colors_info=”{}” width__hover_enabled=”off|desktop”][\/et_pb_gallery][et_pb_video src=”https:\/\/vimeo.com\/theatredelentrouvert\/teasernorvege?share=copy” image_src=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/06\/8.png” _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_slider use_bg_overlay=”off” use_text_overlay=”off” arrows_custom_color=”#003E3F” dot_nav_custom_color=”#003E3F” _builder_version=”4.27.5″ _module_preset=”default” header_font=”–et_global_body_font||||||||” header_text_color=”#003E3F” header_font_size=”18px” header_line_height=”1.4em” body_font=”–et_global_body_font||||||||” body_text_align=”left” body_text_color=”#003E3F” body_line_height=”1.5em” background_color=”rgba(255,255,255,0.83)” custom_button=”on” button_text_size=”15px” button_text_color=”#003E3F” button_border_width=”1px” button_font=”–et_global_body_font||||||||” button_icon=”&||divi||400″ button_on_hover=”off” button_alignment=”right” text_orientation=”left” module_alignment=”center” custom_padding=”0px|0px|30px|0px|false|false” custom_padding_tablet=”0px|0px|30px|0px|false|false” custom_padding_phone=”|20px||20px|false|false” custom_padding_last_edited=”on|phone” auto=”on” hover_transition_duration=”200ms” locked=”off” global_colors_info=”{}”][et_pb_slide heading=”France Culture” button_text=”France Culture” button_link=”https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/tous-en-scene\/des-marionnettes-de-glace-pour-les-vagues-de-virginia-woolf-2568538″ url_new_window=”on” image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/09\/france-culture.jpg” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.27.5″ _module_preset=”default” background_color=”rgba(255,255,255,0.82)” background_enable_color=”on” text_orientation=”left” background_layout=”light” custom_css_slide_image=”width:30%;” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

\u00ab Ice puppets for The Waves by Virginia Woolf. <\/em><\/p>\n

A broadcast recorded on-site at the Th\u00e9\u00e2tre de la Temp\u00eate, in the Cartoucherie du Bois de Vincennes (Paris), during a rehearsal of the performance The Waves.\u00bb<\/em><\/p>\n

Tous en sc\u00e8ne \u2013 Aur\u00e9lie Charon<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”Lib\u00e9ration” button_text=”Lib\u00e9ration” button_link=”https:\/\/www.liberation.fr\/culture\/scenes\/les-vagues-sur-scene-virginia-woolf-au-fil-de-leau-20240521_QLAQTSTLYJFXXBJFSCEPYTNOKY\/” url_new_window=”on” image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/06\/2560px-Liberation.svg_.png” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.27.5″ _module_preset=”default” background_color=”rgba(255,255,255,0.82)” background_enable_color=”on” text_orientation=”left” background_layout=”light” custom_css_slide_image=”width:30%;” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

\u00ab To the original long monologues, the staging often favors movement. The movement of the puppets, which are sent into the air [\u2026] but also that of those who pull the [\u2026] strings, who grasp the frozen bodies, carry them along, and dance with them.\u00bb<\/em>
By Lara Clerc \u2013 Lib\u00e9ration<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”Le Monde” button_text=”Le Monde” button_link=”https:\/\/www.lemonde.fr\/culture\/article\/2024\/05\/27\/dans-les-vagues-elise-vigneron-et-ses-marionnettes-de-glace-font-danser-les-fantomes-de-virginia-woolf_6235837_3246.html” url_new_window=”on” image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/04\/Le_monde_logo-1.svg” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.27.5″ _module_preset=”default” background_color=”rgba(255,255,255,0.82)” background_enable_color=”on” text_orientation=”left” background_layout=”light” custom_css_slide_image=”width:30%;” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

\u00ab [\u2026] The Waves is a deeply original creation that imprints the mind with poetic (and aquatic) images. They remain engraved long after the performance ends.\u00bb<\/em>
By Cristina Marino \u2013 Le Monde<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”l\u2019Humanit\u00e9” button_text=”l\u2019Humanit\u00e9” button_link=”https:\/\/www.humanite.fr\/culture-et-savoir\/marionnettes\/les-vagues-une-adaptation-virevoltante-de-virginia-woolf-en-marionnettes-de-glace” url_new_window=”on” image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/09\/lhumanite-2.png” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.27.5″ _module_preset=”default” background_color=”rgba(255,255,255,0.82)” background_enable_color=”on” text_orientation=”left” background_layout=”light” custom_css_slide_image=”width:30%;” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

\u00ab The Waves highlights sensitive elements, such as memories and emotions, which, in the face of inexorably passing time, are only fragments of humanity in the universe\u2026 \u00bb<\/em><\/p>\n

By G\u00e9rard Rossi \u2013 l\u2019Humanit\u00e9<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”T\u00e9l\u00e9rama” button_text=”pdf (3,9 Mo)” button_link=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/06\/Article-Les-Vagues-Telerama-15-mai-2024.pdf” url_new_window=”on” image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/06\/1200px-Telerama_logo.png” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.27.5″ _module_preset=”default” background_color=”rgba(255,255,255,0.82)” background_enable_color=”on” text_orientation=”left” background_layout=”light” custom_css_slide_image=”width:30%;” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

\u00ab \u00c9lise Vigneron\u2019s remarkable work immerses spectators in a world of sensation and contemplation; with her, they even travel to the fantastic, as the ice dolls float through the air. \u00bb<\/em>
By Fabienne Pascaud \u2013 T\u00e9l\u00e9rama<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”Les trois coups” button_text=”Les trois coups” button_link=”https:\/\/lestroiscoups.fr\/les-vagues-virginia-woolf-elise-vigneron-le-figuier-blanc-festival-theatral-du-val-doise-pivo-argenteuil\/” url_new_window=”on” image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/06\/1200px-Telerama_logo.png” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.27.5″ _module_preset=”default” background_color=”rgba(255,255,255,0.82)” background_enable_color=”on” text_orientation=”left” background_layout=”light” custom_css_slide_image=”width:30%;” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

\u00ab Sensitively, she (\u00c9lise Vigneron) reminds us of the importance of living in the present moment, so fleeting yet precious, and of staying attentive to the permeability between worlds. This evocation of disappearance will leave traces.\u00bb<\/em><\/p>\n

L\u00e9na Martinelli \u2013 Les trois coups<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”Les Echos” button_text=”Les Echos” url_new_window=”on” image=”https:\/\/lentrouvert.com\/wp-content\/uploads\/2024\/06\/1200px-Les_echos_logo.svg_.png” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.27.5″ _module_preset=”default” background_color=”rgba(255,255,255,0.82)” background_enable_color=”on” text_orientation=”left” background_layout=”light” custom_css_slide_image=”width:30%;” locked=”off” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

\u00ab The director, puppeteer, and visual artist shapes a performance for a \u2018choir of ice\u2019 into a sensitive experience of passing time, from childhood to maturity\u2026 a successful endeavor. \u00bb<\/em>
By Callysta Croizer \u2013 Les Echos<\/p>\n

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