"

L’enfant

Immersive performance

Creation 2019

Translated into English
All audiences aged 14 and up
Duration: 50 minutes

Enfant, etymologically “Infans”: “he who does not speak”, lives without distinction the real and the imaginary, life and death.

L’enfant, is an invitation to experience from the inside the play The Death of Tintagiles by Maurice Maeterlinck through an immersive form.
Labyrinthine spaces, ephemeral scenography, animated figures, and sound vibrations are all elements that plunge us into a world in constant emergence, reflecting the inner reality of the character Ygraine, whose initiatory journey we follow.
The unexpected return of her young brother Tintagiles to the devastated island arouses both joy and anxiety in her. Responding to the threat of an invisible soul-devourer queen, Ygraine engages in a rebellion. Overthrowing the established order, breaking down borders, she finally penetrates a world that the living cannot enter, eager to catch a glimpse of the infinite realm of shadows.

Ygraine is the only one who can penetrate where the living do not penetrate, to pass the forbidden line, beyond the last step. She alone is able to communicate with the child, who is ready to be absorbed by the destructive force of darkness, yet also ready—so small—to pass through the widened fissure and be reborn after this passage into the realm of shadows.
Claude Régy

Cast

Text La Mort de Tintagiles by Maurice Maeterlinck
Set design and direction : Élise Vigneron
Actress : Stéphanie Farison
Puppeteer : Sarah Lascar alternating with Cécile Doutey
Puppet manipulation : Élise Vigneron alternating with Alice Faravel
Sound and lighting operator : Aurélien Beylier
Dramaturgy : Manon Worms
Actor coaching : Argyro Chioti
Outside eye and manipulation setup : Hélène Barreau
Lighting design : Benoît Fincker and Sarah Marcotte
Stage machinery : Benoît Fincker
Sound design : Pascal Charrier, Julien Tamisier and Géraldine Foucault
Puppet construction and visual arts collaboration : Arnaud Louski-Pane
Scenography construction : Philippe Laliard et Benoît Fincker
Support for the promenade performance device : Karin Holmström
Costume design : Danielle Merope-Gardenier
Acknowledgements : Maya-Lune Thieblemont, Jean-Louis Larcebeau, Gérard Vigneron, Martine Lascar, Juliette Berroterran

productions & supports

Production : Théâtre de l’Entrouvert
Coproductions : Les Théâtres à Aix-en-Provence et Marseille (13) — Le TJP, CDN Strasbourg-Grand Est (67) — L’Espace Jéliote, Scène conventionnée pour les Arts de la Marionnette à Oloron Sainte-Marie (64) — Le Pôle Arts de la Scène à Marseille (13) — La Garance, Scène nationale de Cavaillon (84) — Théâtre – Arles (13), Scène conventionnée d’Intérêt National – Art et Création/Nouvelles Écritures — Le Vélo-Théâtre, Scène conventionnée Théâtre d’objets à Apt (84).
With the support of la DRAC et de la Région Sud, du Conseil départemental du Vaucluse, de la Ville d’Apt, de la SPEDIDAM et de l’ADAMI.

Io gazette

« L’Enfant faithful to the Symbolist tradition, offers us an experience that is more sensory than describable: the story of a struggle and an attempt at escape, conveyed through striking scenography that envelops the audience within it. This theatre, whose language can at times be hieroglyphic, produces powerful images in which mystery fully has its place. A mystery that is precisely rich in meaning, whose form perhaps comes as close as possible to what one might call the diffuse fabric of sensations—so difficult to name, yet sometimes better understood through vision.»
By Noémie Regnaut

Toute la culture

Set to a techno base by Tom Flynn, the duo manipulate one another. Anne holds inverted hip-hop postures and Élise follows in her footsteps. That is truly it: following in each other’s footsteps. One is the engine of the other. They must struggle against the elements. The rhythm is wild in this very contemporary questioning of balance And—though this must remain secret—the ending is a little gem!
By Amélie Blaustein Niddam

Today

Today