artistic team

In 2008, Corentin Abeille started his studies at the Conservatoire d’Art Dramatique in Marseille, where he discovered plays and directing. His practice of directing led him to get interest into technical questions, specially light and sound. In 2010, Corentin became a general manager from an association based in Marseille « Le train en marche ». He got taught on sound system, live but also in studio. He incorporated then, the Institut Musical de Formation Professionnelle in Salon de Provence in order to round off the theoretical part of this particular field. Within those 2 years of study, he took part of many tours from Jazz band and latin music band. Some could still cross him on the road along with band or theater companies (C. Du Dromolo, Rodeo Spaghetti, Théâtre de l’Entrouvert, …). In 2013, he is hired by the Théâtre de la Mer where he ensures a periodical work as technician. Also, working as technician during festivals in Region (Lez’arts au soleil, Tendance Clown, Fêtes vénitiennes de Martigues…).

In progress…

After a theater diploma and a DEUG in Performing Arts, Sarah Lascar trained for two years at the Samovar school in Bagnolet. Then, she joined the seventh class of ESNAM (National School of Puppetry Arts) from which she graduated in 2008. When she left school, she set up a company, The Theater Elaborates and creates three shows which she ensures the staging: Shhh…, Wanted Calamity Jane and, Fleuve. Today Sarah returns to the set, as an actress and puppeteer. She works with the Royal de Luxe and its Giants, V.O Compagnie (L’Homme à l’Envers), the Théâtre de l’Entrouvert (Anywhere, L’Enfant) and the company Art Zygote (L’Assassin sans unscrupule).

In addition to his studies in Performing Arts at the University of Paris III Sorbonne Nouvelle, Cécile trained in acting and setting up scenery with the Troupe de l’Epée de bois at the Cartoucherie de Vincennes in 2001 to 2004. She then trained in the arts of puppetry at the Théâtre aux Mains Nues in Paris and then at ESNAM (National Superior School of Puppetry Arts in Charleville-Mézières) for three years. She has since worked with several companies, including the Elaborate Theater, the Night Theater, the director Alain Gautré, the Tas de Sable – Ches Panses Verte company, the Royal de Luxe company and the Entre Eux Deux Rives company. Since 2014, she has been collaborating with the company Théâtre pour Deux Mains with which she notably creates her Transit show.

Thibaut followed the entire degree at the Beaux Arts school in Avignon. He obtained his diploma in 1998 and engaged himself through many collective expositions in Europe. He co-created plenty of musical formations, such as « Insert » and joined « Libertalia » improvisation group and experimental violin. He took part within several creation from the collectif « Le Larynx ». Since 2007, he has been working as a Technical manager at the 3bisF, contemporary art venue, As well as for many arts companies (L’Individu, Attention Fragile, Skappa, l’Art de Vivre, Théâtre de l’Entrouvert,…) for whom he has ensured sound, light, stages or general technic. He is also sound manager for the festival « Les rencontres de Haute Romanche ».

Leaving the conservatory in 2000 after having been in the classes of Dominique Valadié, Jacques Lassalle and Mario Gonzales, I work as a theater performer with Ramin Gray, Joël Jouaneau, Sylvain Maurice, Charles Tordjman, Robert Cantarella, Frederic Fisbach, Julie Brochen, Vivianne Théophilides, Michel Dydim, Alain Françon, Anne Margrit Leclerc, Frédérique Mainguand, Madeleine Louarn, Stéphanie Peinado, Mireille Perrier, Alice Laloy, Lucie Valon on pieces from the classical as well as contemporary repertoire. In 2004, I co-founded the collective F 71, and created until 2014 four shows Foucault 71, La prison, Qui Suis-Je Outre?, Notre corps utopique, all from the work of the philosopher Michel Foucault . Today, we work from the classified ads of “Sandwich”, a Liberation supplement published in the 80s. Interested in dance, I followed internships in particular with Georges Appaix and I participated in 2006 in the creation of the SET choreographic show by François Raffinot. I collaborate with Cyril Bourgois, Élise Vigneron and Alice Laloy, puppeteers, as playwright, director of actor or manipulator actor. I am continuing my clown training by participating in several workshops and I recently played, in 2017, Funny bird a show by Lucie Valon.

She trained at the Minsk Academy of Arts and at ESNAM (graduate 2017, 10th class). She has worked with several companies in Belarus, Russia, France and Finland. She has appeared in various shows, directed by Ura Divakov (Cie Laboratory of Oscar, Belarus), Linnea Happonen (Krepsko Theater Group, Finland), Bérangère Vantusso (Cie Trois-Six-Trente, France), Guillaume Lecamus (Morbus Theater , France), Joëlle Noguès (Cie Pupella Nogues, France). In creation, she notably collaborated with Pierre Dupont, Lou Simon, Faustine Lancel, Zoé Grossot (puppeteers), André Markowicz (translator), Antoine Herniotte (actor, playwright). Today, she is a puppeteer-performer on Yoann Pencole’s shows (Cie ZUSVEX); Elise Vigneron (Théâtre de l’Entrouvert). She has created and co-created several theatrical forms in Russia and France, including La foret ça n’existe avec Pierre Dupont. She is currently working on the Chantiers Parades project